“On the step outside you stand…With your flowers in your hand, my Apple Scruffs..”

Apple Scruffs – George Harrison (1970) 96KHz/24bit FLAC 4K Video ~MetalGuruMessiah~

“Apple Scruffs” was released in November 1970 on George Harrison’s massive musical monument, the 3-album All Things Must Pass album. Continuing with more videos from one of my favorite albums. My idea was to use clips from Beatlemania to represent the “Apple Scruffs” but I liked the groovy dancers better! 😉

From Wiki:

The name “Apple scruffs” was first coined by George Harrison during the late 1960s. Although well known for his aversion to fan worship, particularly to the Beatlemania phenomenon, Harrison had formed a bond with a number of the scruffs; he acknowledged in an April 1969 interview with Disc magazine: “their part in the play is equally as important as ours”. His song “Apple Scruffs” was written as a tribute to the fans who had kept vigil outside the various recording studios he had been working in since late May 1970, during the sessions for his All Things Must Pass triple album, as well as the Apple headquarters on Savile Row. Although Harrison makes no mention of the song in his 1980 autobiography, Derek Taylor, in his role as editor, describes the Apple scruffs as the “central core” of fans, long after Beatlemania had subsided, adding that “We were all very fond of them”.

Harrison invited the Apple scruffs into Abbey Road Studios to hear the results. A teenager at the time, Gill Pritchard later recalled that Harrison told them: “Well, you had your own magazine, your own office on the [studio] steps, so why not your own song?”

The recording has been noted for its Bob Dylan influence, featuring Harrison on acoustic guitar and harmonica, and is recognized as a departure from the big sound synonymous with All Things Must Pass. “Apple Scruffs” was also released as the B-side to “What Is Life”, gaining further popularity through airplay on US radio, and became the preferred side of the single in some countries.

Harrison recorded “Apple Scruffs” late in the proceedings, during the overdubbing and mixing phase of All Things Must Pass. Uniquely among the tracks on All Things Must Pass, “Apple Scruffs” was performed solo by Harrison – except for a percussive, tapping sound provided by Beatles assistant Mal Evans. Harrison recorded the song live on acoustic guitar and harmonica, in the style of his friend Bob Dylan. Due to his heavy beard and mustache, Harrison struggled while attempting to play the harmonica; sessions tapes also reveal he needed to coach himself on the sucking and blowing technique required for the part.

Rolling Stone’s Ben Gerson considered “Apple Scruffs” to be “One of the most wonderful cuts on the album” and added: “it sounds as if it was recorded while co-producer Phil Spector was out for coffee.”

More recently, Beatles author Bruce Spizer has written of the song: “Sandwiched in the middle of an album full of elaborate wall-of-sound productions, Apple Scruffs breaks through like a breath of fresh air.” Simon Leng praises the track’s bottleneck parts, and particularly the backing vocals, which he describes as “the best on the album”. The same passage, towards the end of the song, has been referred to by Tom Moon in his book 1,000 Recordings to Hear Before You Die as “an explosive peak-experience refrain that comes direct from heaven’s songbook”.

In a 2001 review for the 30th anniversary reissue of All Things Must Pass, James Hunter of Rolling Stone highlighted “Apple Scruffs” among other tracks on an album that “helped define the decade it ushered in”, advising listeners to “proceed to music that exults in breezy rhythms”, which included “the colorful revolutions of ‘What Is Life’ … bluesy and intricate on Harrison and Dylan’s ‘I’d Have You Anytime,’ fizzy on ‘Apple Scruffs,’ grooving on ‘Let It Down,’ and spookily proto-disco on ‘Art of Dying'”.

This record has a tendency to sound thin and shrill. If you wish to hear All Things Must Pass the way it should sound (and who doesn’t!) head over to HDtracks http://www.hdtracks.com/all-things-must-pass-215198 and buy the Audiophile 96kHz/24bit version of the 2014 remaster….amazing! George’s son Dhani had a large hand in the way this album was remastered and sounds and he nailed it…. his dad would be proud! *This video features the higher resolution 96/24bit HD FLAC version.

[Lyrics]
Now I’ve watched you sitting there
Seen the passers-by all stare
Like you have no place to go
But there’s so much they don’t know about Apple Scruffs

You’ve been stood around for years
Seen my smiles and touched my tears
How it’s been a long, long time
And how you’ve been on my mind, my Apple Scruffs

Apple Scruffs, Apple Scruffs
How I love you, how I love you

In the fog and in the rain
Through the pleasures and the pain
On the step outside you stand
With your flowers in your hand, my Apple Scruffs

While the years they come and go
Now, your love must surely show me
That beyond all time and space
We’re together face to face, my Apple Scruffs

Apple Scruffs, Apple Scruffs
How I love you, how I love you

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“Looks like a little brother to the sun… or mother to the stars at night”

Here Comes The Moon – George Harrison (1979) FLAC Audio 4k ~MetalGuruMessiah~

“Here Comes The Moon” was released in the winter of 1979 on George Harrison’s seventh solo album, George Harrison. The Beatles recorded George’s masterpiece “Here Comes The Sun” on their Abbey Road album, and 10 years later he recorded an equally beautiful track for “the little brother to the sun”.

Several years back, when I was making the video for “Your Love Is Forever”: https://youtu.be/pY9TX_Q7j-o I though it might be interesting to try a similar one for “Here Comes The Moon”…took me awhile but I finally got around to it. This video is stylistically the “night” video to that earlier video. I hope you enjoy the result.

A new George Harrison album was always an exciting and memorable event when I was growing up and each one (as with the other Beatle solo albums) brings distinctive memories of very specific times, places, people and emotions of my youth. I had been in awe of George’s previous album, 33&1/3 and was thrilled to finally hear that he had a new album. It was my last year of high school and I took a friend along with me hauling some cattle to a ranch near Corpus Christi for my dad on a Saturday. I was more than happy to make the trip because I knew it would allow me a chance to get into a city to a record shop and pick up George’s new album. Though the trip wouldn’t normally take me thorough San Antonio, I made a detour to the route and picked up both the album, cassette, AND! a great promo poster for the LP (In those days I was very skilled at convincing record store employees to give me promo material! LOL!, of course once I started working at one the next year such material became much more available and….yes, I still have that poster!). To this day every time I listen to this album (which is often, btw) I think of the hassles of driving that cattle trailer through the city and then happily listening to this album on cassette with my friend as I winded through the Texas countryside with the blue sky, white puffy clouds and sunshine above us!

This is the 23rd video I’ve made for a George Harrison song (and the 4th from the George Harrison album).

From Wiki: With Harrison’s penchant for leisure and travel following Thirty Three & 1/3’s release, he had not started recording a follow-up until mid-1978, although he had been writing songs during his hiatus. Teaming up with a co-producer for the first time in years, Harrison decided to use Russ Titelman to help realise the music for George Harrison, which was recorded at his home studio, entitled Friar Park, with string overdubs being effected at London’s AIR Studios. Special guests included Steve Winwood, Gary Wright (who co-wrote “If You Believe”) and Eric Clapton.

The album was previewed by the single “Blow Away”, which reached No. 51 in the United Kingdom and No. 16 in the United States. George Harrison received positive reviews upon its February 1979 release. It reached No. 39 in the UK and it peaked at No. 14 in the US, going gold. “Blow Away” as a single was also successful in Canada, peaking at No. 7 on the singles chart. Harrison’s increasing efforts, however, were being directed towards the film industry, having formed Handmade Films in order to help his friends in Monty Python complete Life of Brian.

Anyway…..till next one…..hope you enjoy this one!

As always, HUGE THANKS to everyone who’s art made this new art possible. THANK YOU!!!

[Lyrics]
Everybody’s talking up a storm
Act like they don’t notice it
But here it is and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.
Impulse always quickens when it’s full
As it turns my head around me
Yes it does and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.
God’s gift I see that’s moving up there into the night
Though dark the mirror in the sky reflects us our light:
Looks like a little brother to the sun
Or mother to the stars at night
And here it is and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.
Breath is always taken when it’s new
Enhance upon the clouds around it
Yes it is and here it comes
Here comes the moon, the moon, the moon.

“Maybe I’m amazed at the way you help me sing my song”…Paul McCartney

Maybe I’m Amazed – Paul McCartney (1970) 96KHz/24bit FLAC HD Video ~MetalGuruMessiah~

“Maybe I’m Amazed” was released on Paul McCartney’s debut solo album, titled simply McCartney, in the spring of 1970. I couldn’t get any of my in-the-works projects finished, so I jumped in and made this quickie. Most of the work was spent working on the old video clip of Paul and Linda and their family in Scotland in 1970, some effects and adjustment layers and I found a look I liked and that lost the jaggies for full screen.

The album featured a very loose, laid-back recording style of the nature that was always intended for The Beatles’s Let It Be album. The record is entirely Paul…he plays all instruments and the only other person featured in any way was his wife Linda, who sang back up vocals.

Audio sourced from Archive Collection Remaster FLAC!

It seems odd, to me at least, that this record doesn’t seem to fall prey to the “dated” sound that affects some of Paul’s other records….I guess that’s in large part due to the fact that it’s homespun, patchwork nature was so basic that it resists and remains. I love the record and give in totally to it’s charms each time I listen to it.

From Wiki:
McCartney shot to #1 in the US for three weeks, eventually going 2x platinum. This was despite the fact that it had neither an accompanying single released nor a tour to promote it, and that critical reaction was far from positive. In the UK, it was only denied the top spot by the best-selling album of 1970, Simon and Garfunkel’s Bridge Over Troubled Water, which stayed at #1 for 33 (non-consecutive) weeks. There, McCartney debuted straight at #2, where it remained for three weeks.

The album was widely criticised for its “homespun” approach and “half-written” songs, the UK’s rock bible Melody Maker declaring that “With this record, his debt to [Beatles producer] George Martin becomes increasingly clear”; the reviewer found “sheer banality” in all the tracks save for “Maybe I’m Amazed”. Shortly after the album’s release, George Harrison described the same song and “That Would Be Something” as “great”, but the rest, he said, “just don’t do anything for me”. Harrison added that, unlike himself, John Lennon and Starr, McCartney was probably too “isolated” from other musicians: “The only person he’s got to tell him if the song’s good or bad is Linda.” Lennon stated in his 1970 interview with Rolling Stone editor Jann Wenner that, given McCartney’s penchant for demanding perfectionism in the studio from his fellow Beatles, he was surprised at the lack of quality in the album; Lennon also made several remarks comparing McCartney negatively to his own solo album debut, John Lennon/Plastic Ono Band.

When the new remastered version was released in 2011 as part of the Paul McCartney Archive Collection, the album re-entered the charts in the UK, Netherlands, France and Japan.

It is included in the book 1001 Albums You Must Hear Before You Die.

This is my third video from the classic McCartney debut! Check out the other two if you are so inclined:
“Junk”/”Singalong Junk” https://youtu.be/X1jARPv-t-I
“Every Night” https://www.youtube.com/watch?v=lKbqv6QtWnM
THANKS!

 

[Lyrics]
Maybe I’m amazed at the way you love me all the time
Maybe I’m afraid of the way I love you
Maybe I’m amazed at the the way you pulled me out of time
And hung me on a line
Maybe I’m amazed at the way I really need you
Maybe I’m a man and maybe I’m a lonely man
Who’s in the middle of something
That he doesn’t really understand
Maybe I’m a man and maybe you’re the only woman
Who could ever help me
Baby won’t you help me understand
Maybe I’m a man and maybe I’m a lonely man
Who’s in the middle of something
That he doesn’t really understand
Maybe I’m a man and maybe you’re the only woman
Who could ever help me
Baby won’t you help me understand
Maybe I’m amazed at the way you’re with me all the time
Maybe I’m afraid of the way I leave you
Maybe I’m amazed at the way you help me sing my song
Right me when I’m wrong
Maybe I’m amazed at the way I really need you

Every night that day is through…Ooh ooh oh oh

Every Night – Paul McCartney (1970) HD FLAC ~MetalGuruMessiah~

“Every Night” was released on Paul McCartney’s debut solo album, titled simply McCartney, in the spring of 1970. My last video (The J. Geils Band’s “Teresa” was blocked in the U.S. and other countries…hopefully we can all still enjoy Paul’s stuff….THANKS PAUL!

The album featured a very loose, laid-back recording style of the nature that was always intended for The Beatles’s Let It Be album. The record is entirely Paul…he plays all instruments and the only other person featured in any way was his wife Linda, who sang back up vocals.

Audio sourced from Archive Collection Remaster FLAC!

It seems odd, to me at least, that this record doesn’t seem to fall prey to the “dated” sound that affects some of Paul’s other records….I guess that’s in large part due to the fact that it’s homespun, patchwork nature was so basic that it resists and remains. I love the record and give in totally to it’s charms each time I listen to it.

From Wiki:
McCartney shot to #1 in the US for three weeks, eventually going 2x platinum. This was despite the fact that it had neither an accompanying single released nor a tour to promote it, and that critical reaction was far from positive. In the UK, it was only denied the top spot by the best-selling album of 1970, Simon and Garfunkel’s Bridge Over Troubled Water, which stayed at #1 for 33 (non-consecutive) weeks. There, McCartney debuted straight at #2, where it remained for three weeks.

The album was widely criticised for its “homespun” approach and “half-written” songs, the UK’s rock bible Melody Maker declaring that “With this record, his debt to [Beatles producer] George Martin becomes increasingly clear”; the reviewer found “sheer banality” in all the tracks save for “Maybe I’m Amazed”. Shortly after the album’s release, George Harrison described the same song and “That Would Be Something” as “great”, but the rest, he said, “just don’t do anything for me”. Harrison added that, unlike himself, John Lennon and Starr, McCartney was probably too “isolated” from other musicians: “The only person he’s got to tell him if the song’s good or bad is Linda.” Lennon stated in his 1970 interview with Rolling Stone editor Jann Wenner that, given McCartney’s penchant for demanding perfectionism in the studio from his fellow Beatles, he was surprised at the lack of quality in the album; Lennon also made several remarks comparing McCartney negatively to his own solo album debut, John Lennon/Plastic Ono Band.

When the new remastered version was released in 2011 as part of the Paul McCartney Archive Collection, the album re-entered the charts in the UK, Netherlands, France and Japan.

It is included in the book 1001 Albums You Must Hear Before You Die.

*Note for the video:
My second video from the classic McCartney debut! Check out the thing I did for “Junk”/”Singalong Junk” if you are so inclined: https://youtu.be/X1jARPv-t-I THANKS!

 

[Lyrics]
Every night I just want to go out,
Get out of my head
Every day I don’t want to get up,
Get out of my bed
Every night I want to play out
And every day I want to do ooh ooh oh oh
But tonight I just want to stay in
And be with you,
And be with you.
Ooh…
Ooh…
Believe me mama
Every day I lean on a lamp post,
I’m wasting my time
Every day I lay on a pillow,
I’m resting my mind
Every morning brings a new day
Every night that day is through
Ooh ooh oh oh
But tonight I just want to stay in
And be with you,
And be with you.
Ooh…
Ooh…
Believe me mama ooh…
Ooh…

Daylight is good at arriving at the right time

All Things Must Pass – George Harrison (1970) HD FLAC ~MetalGuruMessiah~

“All Things Must Pass” was the title track on George Harrison’s massive musical monument, the 3-album All Things Must Pass album, which was released in late November of 1970.

I”ve long been chipping away at videos for both “All Things Must Pass” and “Isn’t It A Pity” (among others from the album). I’ve done a couple other vids for songs from this album, but I can never quite finish the other ones I’ve started because some of my favorite songs are so closely related thematically that I can never decide which video I’m working on. I wanted The Beatles imagery for “Isn’t It A Pity” and liked the clocks and foggy forests for “All Things Must Pass”. (The blackbird effect is from my long blocked video of “Blackbird”) Though his song wasn’t written specifically about The Beatles’ breakup (as was George’s sad reflective “Isn’t It A Pity), but many people hear it as such (the cover image of the four gnomes laying around solo George sitting in a chair!)….and it definitely fits! Anyway the imagery I’d found working on the different songs looked too cool together to pass up, so I mashed ’em together and here is “All Things Must Pass” via “Isn’t It A Pity” version! Stand by for “Isn’t It A Pity” (both versions!)….soon, maybe?! 😉

From Wiki:
The subject matter deals with the transient nature of human existence, and in Harrison’s All Things Must Pass reading, words and music combine to reflect impressions of optimism against fatalism. On release, together with Barry Feinstein’s album cover image, commentators viewed the song as a statement on the Beatles’ break-up. Widely regarded as one of Harrison’s finest compositions, its rejection by his former band has provoked comment from biographers and reviewers. Music critic Ian MacDonald described “All Things Must Pass” as “the wisest song never recorded by The Beatles”, while author Simon Leng considers it “perhaps the greatest solo Beatle composition”.

The Catskill Mountains in upstate New York – surroundings that inspired the music of the Band, and Harrison’s song “All Things Must Pass” For his lyrics, Harrison drew inspiration from “All Things Pass”, a poem published in Timothy Leary’s 1966 book Psychedelic Prayers after the Tao Te Ching. In his 1980 autobiography, I Me Mine, Harrison refers to the idea for the song originating from “all kinds of mystics and ex-mystics”, including Leary. Like later Harrison compositions such as “Here Comes the Sun”, “So Sad” and “Blow Away”, the lyrical and emotional content is based around metaphors involving the weather and the cycle of nature. Harrison states in the opening lines of verse one: “Sunrise doesn’t last all morning / A cloudburst doesn’t last all day”.

According to Harrison biographer Simon Leng, the lyrics reflect “life’s ephemeral character” and the “transitory” nature of love. Inglis suggests that the song is “[o]stensibly” about “the end of a love affair”. He and theologian Dale Allison note the optimism offered in Harrison’s words, since, as Leng puts it, “a new day always dawns.” Although “All Things Must Pass” avoids religiosity, Allison writes that its statement on the “all-inclusive” transience of things in the material world explains why so much of its 1970 parent album, All Things Must Pass, “finds hope and meaning only in God, who does not pass away”. The song’s main message is offered in its middle eight:

All things must pass
None of life’s strings can last
So I must be on my way
And face another day.

Ultimately, the cycle of nature offers “consolation”, Leng writes, as further evidenced in the verse-three lines “Now the darkness only stays at night time” and “Daylight is good at arriving at the right time”.

This record has a tendency to sound thin and shrill. If you wish to hear All Things Must Pass the way it should sound (and who doesn’t!) head over to HDtracks http://www.hdtracks.com/all-things-must-pass-215198 and buy the Audiophile 96kHz/24bit version of the 2014 remaster….amazing! George’s son Dhani had a large hand in the way this album was remastered and sounds and he nailed it…. his dad would be proud! *This video features the higher resolution 96/24bit HD FLAC version.

[Lyrics]
Sunrise doesn’t last all morning
A cloudburst doesn’t last all day
Seems my love is up and has left you with no warning
It’s not always going to be this grey

All things must pass
All things must pass away

Sunset doesn’t last all evening
A mind can blow those clouds away
After all this, my love is up and must be leaving
It’s not always going to be this grey

All things must pass
All things must pass away
All things must pass
None of life’s strings can last
So, I must be on my way
And face another day

Now the darkness only stays the night-time
In the morning it will fade away
Daylight is good at arriving at the right time
It’s not always going to be this grey

All things must pass
All things must pass away
All things must pass
All things must pass away

Booker T. & The MG’s. Medley (“Because” & “You Never Give Me Your Money”)

Medley – Booker T. & The MG’s. (1970) 24bit FLAC HD Video ~MetalGuruMessiah~

Medley (“Because” & “You Never Give Me Your Money”) was the 3rd track (and the 2nd medley) on McLemore Avenue, the 9th studio album by Booker T. & the M.G.s, which was released in April of 1970. The record consisted entirely of mostly instrumental covers of songs from the Beatles’ album Abbey Road (released only months earlier, in September 1969). The title and cover are an homage to the Beatles album, 926 East McLemore Avenue being the address of the Stax Studios in Memphis, as Abbey Road was for EMI Studios in London.

Booker T. Jones said, “I was in California when I heard Abbey Road, and I thought it was incredibly courageous of The Beatles to drop their format and move out musically like they did. To push the limit like that and reinvent themselves when they had no need to do that. They were the top band in the world but they still reinvented themselves. The music was just incredible so I felt I needed to pay tribute to it.”

This record has always been really special to me. There are so few good reasons to listen to cover work of The Beatles, some great stuff scattered about but mostly pointless. This record has always astonished me with this band’s groovyfanfukncydelic interpretations….the songs just breath and there is so much amazing musicianship in every second of the record. This is the band we all wish we could have had. I really can’t pick a favorite musician from this band they are all stellar, but drummer Al Jackson, Jr and Booker T. Jones and his magical Hammond M3 Organ were insane brilliant, and guitarist Steve Cropper and bassist Donald “Duck” Dunn were merely among the greatest who ever played. Damn, they were really something.

If your a fan of rock n roll, The Beatles, Stax, soul, funk, soul or really music in general, McLemore Avenue is one that you really should give a listen to. It requires good headphones or a good home rig to get the full effect of the music, the bottom end, etc…plus it should be played LOUD if it’s gonna be played at all! 😉

Thanks again to all my friends who stick around and encourage me to plug on! You guys RoCk! 😉 I hope you enjoy my 3rd video from McLemore Avenue”! 😉

Something – Booker T. & the M.G.s (1970)

Something – Booker T. & the M.G.s (1970) 192KHz/24bit FLAC HD Video ~MetalGuruMessiah~

“Something” was the second track on McLemore Avenue, the 9th studio album by Booker T. & the M.G.s, which was released in April of 1970. The record consisted entirely of mostly instrumental covers of songs from the Beatles’ album Abbey Road (released only months earlier, in September 1969). The title and cover are an homage to the Beatles album, 926 East McLemore Avenue being the address of the Stax Studios in Memphis, as Abbey Road was for EMI Studios in London.

Booker T. Jones said, “I was in California when I heard Abbey Road, and I thought it was incredibly courageous of The Beatles to drop their format and move out musically like they did. To push the limit like that and reinvent themselves when they had no need to do that. They were the top band in the world but they still reinvented themselves. The music was just incredible so I felt I needed to pay tribute to it.”

This record has always been really special to me. There are so few good reasons to listen to cover work of The Beatles, some great stuff scattered about but mostly pointless. This record has always astonished me with this band’s groovyfanfukncydelic interpretations….the songs just breath and there is so much amazing musicianship in every second of the record. This is the band we all wish we could have had. I really can’t pick a favorite musician from this band they are all stellar, but drummer Al Jackson, Jr and Booker T. Jones and his magical Hammond M3 Organ were insane brilliant, and guitarist Steve Cropper and bassist Donald “Duck” Dunn were merely among the greatest who ever played. Damn, they were really something.

I’ve wanted to do somethings from McLemore Avenue for so long, but never could figure how to go about it. Finally found the fat, equalizer trick to work the video around. I’ll probably do the entire album, because it’s one of those records where, if I ever start to listen to, I cannot stop until the end!

If your a fan of rock n roll, The Beatles, Stax, soul, funk, soul or really music in general, McLemore Avenue is one that you really should give a listen to. It requires good headphones or a good home rig to get the full effect of the music, the bottom end, etc…plus it should be played LOUD if it’s gonna be played at all! 😉

Thanks again to all my friends who stick around and encourage me to plug on! You guys RoCk! 😉

Thumb1

 

Shake it, baby, don’t break it

Nineteen Hundred and Eighty-Five – Paul McCartney & Wings (1973) HD Flac HD Video ~MetalGuruMessiah~

“Nineteen Hundred and Eighty-Five” was released on Paul McCartney and Wings’ third studio album, Band on the Run, in December of 1973. A brilliant track from one of the true masterpiece solo Beatle album. Play this one loud on good headphones or audio rig for full effect!

The video features the wild “Lullaby of Broadway” short film-within-a-film (from Busby Berkeley’s 1935 film “Gold Diggers of 1935”), which I edited for the track (the audio is sourced from a 96KHz/24bit HD FLAC of the 2010 Archive Edition Remaster Edition). I tried to clean up the low-res video I had, stretched it for widescreen and gave it the bluish tint for effect. Stay calm and party on like it’s Nineteen Hundred and Thirty-Fi…I mean EIGHTY-FIVE! 😉

Band on the Run marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – “Jet” and “Band on the Run” – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalizing McCartney’s critical standing. It remains McCartney’s most successful album and the most celebrated of his post-Beatles works.

The majority of Band on the Run was recorded at EMI’s studio in Lagos, Nigeria, as McCartney wanted to make an album in an exotic locale. Shortly before departing for Lagos, however, drummer Denny Seiwell and guitarist Henry McCullough left the group; with no time to recruit replacements, McCartney went into the studio with just his wife Linda and Denny Laine, doubling on drums, percussion and most of the lead guitar parts himself as well as bass. On arriving, it was discovered that the studio was below standard, and conditions in Nigeria were tense and difficult; the McCartneys were robbed at knife-point, during which a bag containing unfinished song lyrics and demo tapes was taken. After the band’s return to England, final overdubs and further recording were carried out at AIR Studios in London.

In 2000, Q magazine placed it at number 75 in its list of the “100 Greatest British Albums Ever”. In 2012, Band on the Run was voted 418th on Rolling Stone’s revised list of “The 500 Greatest Albums of All Time”. A contemporary review by Jon Landau in Rolling Stone described the album as “with the possible exception of John Lennon’s Plastic Ono Band, the finest record yet released by any of the four musicians who were once called the Beatles”.
It was Paul McCartney’s last album issued on the Apple label.

More about the video:
The “Lullaby of Broadway” sequence tells the story of Broadway Baby who plays all night and sleeps all day. It opens with a head shot of singer Wini Shaw against a black background, then the camera pulls back and up, and Shaw’s head becomes the Big Apple, New York City. As everyone rushes off to work, Shaw returns home from her night’s carousing and goes to sleep. When she awakens, that night, we follow her and her beau (Dick Powell) from club to club, with elaborate large cast tap numbers, until she is accidentally pushed off a balcony to her death. The sequence ends with a return to Shaw’s head, as she sings the end of the song. Of all the musical numbers Berkeley created in his career, he named this as his personal favorite.

[Lyrics]

On no one left alive in 1985, will ever do
She may be right
She may be fine
She may get love but she won’t get mine
‘Cause I got you
Oh, oh I, oh oh I
Well I just can’t enough of that sweet stuff
My little lady gets behind
(Shake it, baby, don’t break it)
Oh my mama said the time would come
When I would find myself in, love with you
I didn’t think
I never dreamed
That I would be around, to see it all come true
Whoa oh oh I, oh oh I
Well I just can’t get enough of that sweet stuff
My little lady gets behind
Ah no one left alive in 1985, will ever do
She may be right
She may be fine
She may get love but she won’t get mine
‘Cause I got you
Oh oh I, oh oh I
Well I just can’t get enough of that sweet stuff
My little lady left behind

“You don’t need no rosary beads or them books to read…” George Harrison “Awaiting On You All” (1970)

Awaiting On You All – George Harrison (1970) 24bit FLAC Remaster HD Video ~MetalGuruMessiah~

“Awaiting On You All” was released in late November of 1970 on George Harrison’s massive musical monument, the 3-album All Things Must Pass. This was George’s first album in the commercial sense and to say he knocked it out of the park would be an understatement.

This video is taken from the performance of the song at the Concert For Bangladesh with new effects and set to the studio version of the song. I kinda rushed this one out when my last one was blocked from viewing. (Typically I remove blocked vids, package them for later upload, and renumber the replacement video)….in this case Video #425 (a cleanup/widescreen of George’s “Crackerbox Palace” promo..with HD FLAC!) is sitting happily blocked from view, but I’m going to leave it and hope for the best…eventually. 😉

I was blown away by the sound of the 2014 remaster of All Things Must Pass! It’s wonderful to finally be able to hear this album very close to the way I remember my old vinyl…..it’s just such a difficult and complex sound to get right, based on the way Phil Spector produced it to sound. In the wrong hands it will always sound shrill and thin….I swear if anyone wants to hear All Things Must Pass the way it should sound (and who doesn’t)….BUY the CD so you can get the full uncompressed version. George’s son Dhani had a large hand in the way this album was remastered and sounds and he nailed it…. his dad would be proud! *This video features the higher resolution 96/24bit HD FLAC version.

All Things Must Pass is epic in every sense of the word, and if you were young enough to miss it, and have somehow managed to still not have heard it (and if you’re a serious rock and roll music fan) this album (well two thirds of it anyway, the jams on the 3rd record I listened to exactly once)….you have committed a grave error and I suggest you make amends immediately, find this album and release yourself unto the majesty of what still stands as the greatest solo record ever released by any of The Beatles….John and Paul of course released their share of strong, brilliant albums, but really nothing that can compare to the sheer scale of this record. It has a timeless quality to it and it’s brilliance burns bright through the passing years.

As usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!!!! And of course, thank YOU! for watching!

[Lyrics]
You don’t need no love in
You don’t need no bed pan
You don’t need a horoscope or a microscope
The see the mess that you’re in
If you open up your heart
You will know what I mean
We’ve been polluted so long
Now here’s a way for you to get clean

By chanting the names of the lord and you’ll be free
The lord is awaiting on you all to awaken and see
Chanting the names of the lord and you’ll be free
The lord is awaiting on you all to awaken and see

You don’t need no passport
And you don’t need no visas
You don’t need to designate or to emigrate
Before you can see Jesus
If you open up your heart
You’ll see he’s right there
Always was and will be
He’ll relieve you of your cares

By chanting the names of the lord and you’ll be free
The lord is awaiting on you all to awaken and see
Chanting the names of the lord and you’ll be free
The lord is awaiting on you all to awaken and see

You don’t need no church house
And you don’t need no Temple
You don’t need no rosary beads or them books to read
To see that you have fallen
If you open up your heart
You will know what I mean
We’ve been kept down so long
Someone’s thinking that we’re all green

And while the Pope owns 51% of General Motors
And the stock exchange is the only thing he’s qualified to quote us
The lord is awaiting on you all to awaken and see
By chanting the names of the lord and you’ll be free

…and now we’re fine. Classic Klaatu from their first album, 3:47 EST (1976).

Doctor Marvello – Klaatu (1976) FLAC Audio HD Widescreen Video ~MetalGuruMessiah~

“Doctor Marvello” was released on Canadian progressive rock group Klaatu’s first album 3:47 EST in August 1976. The album was renamed Klaatu when released in the United States by Capitol Records.

I’m a HUGE fan of Klaatu first two albums especially (yeah, I was completely caught up in the “it’s The Beatles secret record” when the first two records were released in the late seventies…how we all wanted to believe that at the time!!!), but their other albums are very nice as well. I have several videos started for some of their more epic tracks, but until those are ready (I’m working on them!)….here’s “Doctor Marvello”! Hope you enjoy this great track from an album loaded with great tracks.

***From what I remember about all the “clues” for the tracks which pointed to The Beatles; this one referred to their break up; (“Jonesey turned the tide..We lost our cool..Caught in whirlpools” and “So bland was our condition…We summoned black magicians..To wave a wand or two” etc.) and their “reunion” on this album (“We’re completely cured…and now we’re fine”).

3:47 EST is regarded as one of the band’s greatest albums (along with Hope), using the same kind of Beatlesque psychedelic rock (in the style of Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour), with a few new additions; most notably vocal distortion, more backwards instruments, and some obscure musical instruments such as electric sitars. The Juno-nominated album cover was painted by a friend of Klaatu’s members, the Canadian graphic artist, Ted Jones.

For a variety of reasons, rumours spread in the wake of the album’s release that Klaatu were, in fact, a secretly reunited Beatles. The album was moderately successful in the United States, largely as a result of the Beatles rumours.

A high-quality newly remastered version of the album was released on Klaatu’s indie record label “Klaatunes” in 2011. To accompany this release, a music video was made for the remastered version of “Calling Occupants”.

[Lyrics]
Oh
My love and I were thinking
How low our boat was sinking
From fishing for the blues
Every lure we tried
Jonesey turned the tide
We lost our cool
Caught in whirlpools

Oh
So bland was our condition
We summoned black magicians
To wave a wand or two
Talismanic spells
Tannis root and well
To tell the tale
Their magic failed

If that is all you want
(Doctor Marvello)
Then I may be of service
If all you want is love
(Doctor Marvello)
Well I may know a special man
Whose love machine turns can’t to can
With your mind in mind
With your mind in mind

(A passage of time)
Oh
The trance wore off by morning
A sentimental journey was hazily recalled
Though it sounds absurd
We’re completely cured
And now we’re fine
And now we’re fine
And now we’re fine