From The Kinks’ State of Confusion album (1983)…”Property”

Property – The Kinks (1983) HD FLAC ~MetalGuruMessiah~

“Property” was released on The Kinks’ 19th studio album, State of Confusion, in June 1983. This is my second fav tune on the album, and one of my very favorite late period tracks by the band. I’ve always loved the song. The video features a 192/24bit FLAC sourced from the SACD. This is by far the best this album has ever sounded. I may do a couple other tracks from the record if this video doesn’t sink like a stone?! πŸ˜‰ Thanks to all for sticking around with me!

The record featured the single “Come Dancing”, which hit #6 on the Billboard Hot 100 and was one of the band’s biggest hit singles in the United States, equaling the 1965 peak of “Tired of Waiting for You”. The album itself was a major success, peaking at #12 on the Billboard Album charts.

[Lyrics]
My bags are packed, I guess it’s time for me to go.
I can’t say where I’m headed, ’cause I just don’t know.
When I think of what I’ll be losing,
It’s hard to move along,
But it’s harder just to stay here,
Knowing that I don’t belong.
I’ll be in touch, don’t worry, I’ll be calling you.
I’ve got no plans, I’m not sure where I’m going to.
It’s hard to keep from crying,
After all that we’ve been through.
I’ve taken everything I need,
Now all that’s left belongs to you.
You take the photographs, the ones of you and me,
When we both posed and laughed to please the family.
Nobody noticed then we wanted to be free,
And now there’s no more love,
It’s just the property.
It’s hard to keep from crying,
After all that we’ve been through.
Now that it’s all over, now that you and I are free,
Now there’s nothing left except the bit of property.
Started off with nothing, started off just you and me,
Now that it’s all over you can keep the property.
And all the little gifts we thought we’d throw away,
The useless souvenirs bought on a holiday.
We put them on a shelf, now they’re collecting dust.
We never needed them, but they outlasted us.

 

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3 Deep Tracks from Loverboy’s 1st

Always On My Mind – Loverboy (1980) FLAC Remaster 1080 HD Video ~MetalGuruMessiah~

“Always On My Mind” was released in November 1980 on Loverboy’s debut, self-titled album. This record was a monster favorite from my very first semester of college….it seemed like it was playing in ever dorm room and every party that was had for several months! It was just a brilliant, fresh sounding, rocking set of songs. Their next album was almost, but not quite as great as this one IMO, but Loverboy was a formidable force back in their heyday….Mike Reno was a great singer and lead guitarist Paul Dean could really play!

I’ve had this go-go girl clip in my still stalled vid for BOC’s “Before the Kiss, a Redcap” video that is pretty wild n cool, and almost finished…though I try not to repeat clips too much too closely, but she worked perfect in this song so I couldn’t resist.

I think I’m going to do a couple/few quick equalizer vids from their first couple albums today….if you like Loverboy, thank the weather…if you hate Loverboy, blame the weather….cause I’m stuck in the house today. πŸ˜‰

[Lyrics]
I knew her since high school
We were seventeen
I was old enough to know
She was old enough to dream

I try to remember, bring back memories
And you know that she is always on my mind

She knew what I needed
Never let me down
She was always the last to leave
And the first to come around
I try to remember, bring back memories
And you know that she is always on my mind

Always on my mind
She’s driving me crazy
Always on my mind
And you know that she is always on my mind

Every night in my dreams I still see her face
Thought she gave it all for me
She only gave me a taste
Every time I see her, it comes back to me
And you know that she’s always on my mind

Always on my mind
She’s driving me crazy
Always on my mind
And you know
Yes you know
Yes you know

Ooo, yeah

Always on my mind
She’s driving me crazy
Always on my mind
And you know that she is always on my mind

Always on my mind
She’s driving me crazy
Always on my mind
And you know
Yes you know
Yes you know

Always on my mind

D.O.A. – Loverboy (1980) FLAC Remaster 1080p HD Video ~MetalGuruMessiah~

“D.O.A.” was released in November 1980 on Loverboy’s debut, self-titled album. This record was a monster favorite from my very first semester of college….it seemed like it was playing in ever dorm room and every party that was had for several months! It was just a brilliant, fresh sounding, rocking set of songs. Their next album was almost, but not quite as great as this one IMO, but Loverboy was a formidable force back in their heyday….Mike Reno was a great singer and lead guitarist Paul Dean could really play!

I think I’m going to do a couple/few quick equalizer vids from their first couple albums today….if you like Loverboy, thank the weather…if you hate Loverboy, blame the weather….cause I’m stuck in the house today. πŸ˜‰

This is my second video from the Loverboy album; check out the first if you’re so inclined? πŸ˜‰ “Always On My Mind” https://youtu.be/4wsHpKyZh4s

[Lyrics]
I wrote a letter to a private eye
A missing person or a runaway
You’ll never find her in the U.S.A
All they got down here is liberty
Talked to her brother down in Frisco Bay
He ain’t seen nothin’ there but silicone
I called her mommy up on Ozone Way
She wouldn’t put her on the telephone

Why won’t she see me?
She’s not looking well
Some girls just like to push thier luck until they wind up
D.O.A
D.O.A
D.O.A

I paid a visit to her Dr. J
He thought it might have been her chromosome
So he put blue jeans in her DNA
I guess that’s why she’s not coming home
Spend all my money on her luxuries
I guess i’ll need a bigger salary
Her lonely life is such a mystery
I keep her picture in my gallery

Why won’t she see me?
She’s not looking well
Some girls just like to push thier luck until they wind up
D.O.A
D.O.A
D.O.A

Talked to her brother down in Frisco Bay
He ain’t seen nothin’ there but silicone
I called her mommy up on Ozone Way
She wouldn’t put her on the telephone

Why won’t she see me?
She’s not looking well
Some girls just like to push their luck until they wind up
D.O.A
D.O.A
D.O.A
D.O.A
D.O.A

It Don’t Matter – Loverboy (1980) FLAC Remaster 1080p HD Video ~MetalGuruMessiah~

“It Don’t Matter” was released in November 1980 on Loverboy’s debut, self-titled album. This record was a monster favorite from my very first semester of college….it seemed like it was playing in ever dorm room and every party that was had for several months! It was just a brilliant, fresh sounding, rocking set of songs. Their next album was almost, but not quite as great as this one IMO, but Loverboy was a formidable force back in their heyday….Mike Reno was a great singer and lead guitarist Paul Dean could really play!

I think I’m going to do a couple/few quick equalizer vids from their first couple albums today….if you like Loverboy, thank the weather…if you hate Loverboy, blame the weather….cause I’m stuck in the house today. πŸ˜‰

This is my third video from the Loverboy album; check out the first if you’re so inclined? πŸ˜‰ “Always On My Mind” https://youtu.be/4wsHpKyZh4s and “D.O.A.” https://youtu.be/zV1ZQtrixkg”

[Lyrics]
If you can read between the lines
Then you can tell me what my next move will be
It’s just a matter of time before the whole wide world will see

And when you tell me that I’m wrong
In the morning, I’ll be gone
And if you’ve heard it all before
Then it just don’t matter no more

Why don’t you tell me what you’re after?
Why don’t you say what’s on your mind?
How will you feel the morning after,
When all there is is what I’ve left behind?

And when you tell me that I’m wrong
In the morning, I’ll be gone
And if you’ve heard it all before
Then it just don’t matter no more

It don’t matter no more
It don’t matter, matter to me
It don’t matter no more
Ooo-ooh-hoo

And when you tell me that I’m wrong
In the morning, I’ll be gone
And if you’ve heard it all before
Well, it just don’t matter no more

Why don’t you tell me what you’re after?
Why don’t you say what’s on your mind?
How will you feel the morning after,
When all there is is what I’ve left behind?

‘Cause when you tell me that I’m wrong
In the morning, I’ll be gone
And if you’ve heard it all before
Well, it just don’t matter no more

It don’t matter no more
It don’t matter
It don’t matter
It don’t matter no more
Ooo-ooh-hoo
It don’t matter no more
It don’t matter, matter to me
It don’t matter no more
It don’t matter
It don’t matter
It don’t matter no more
Look around, baby
It don’t matter no more
Ooo-ooh-hoo, hey

Read between the lines
Read what’s on my mind

Don’t matter, don’t matter, don’t matter to me
It don’t matter, it don’t matter to me, to me
Ooo-ooo-ooo, ooo-ooo

Read between the lines
A-doo-ba-da-wa-doo-way
Doo-bah, doo-bah, day
Hey, hey, hey
Don’t matter to me, don’t matter to me
Don’t matter to me what they say
What they say
Ooo, ooo, ooo, ooo

Way down below the ocean!

Atlantis – Donovan (1969) Audio Fidelity SACD FLAC 1080p Video ~MetalGuruMessiah~

“Atlantis” was released in the summer of 1969 on Donovan’s seventh studio, Barabajagal. I’ve had various requests for a video to this track through the past few years (thanks Jeannie E. Hess ;-), and I was happy to finally get around to working up something for it. *Sorry to see that the video is currently blocked in 230 countries. 😦

I extracted a high bit FLAC from Audio Fidelity’s Storyteller SACD for this video….hands down the best sounding version of “Atlantis” you’ll ever hear.

This is my second video for a Donovan classic, behind “Season Of The Witch” ….time to start thinking about “Hurdy Gurdy Man”! I hope you enjoy seeing “Atlantis” as never before….. and thanks for watching!

For me at least, any discussion of Donovan’s Atlantis after 1990 would be incomplete without a mention of Goodfellas. I remember first seeing Martin Scorcese’s masterpiece back when it was released in the theaters and thinking then how brilliant and perfect his choice to use the track in the Suite Lounge scenes with Billy Batts…brutal, stupid hoods beating, kicking and stabbing another hood to death while the delicate sounds of Donovan’s ode to the lost beautiful, peaceful, artistic and intellectual city of Atlantis drifted from the jukebox through the bar.

While the majority of the Barabajagal sessions took place in November 1968, “Happiness Runs” and “Where Is She” were recorded the previous May. All of these songs except “Atlantis”, “I Love My Shirt” and “To Susan on the West Coast Waiting” were shelved while Donovan’s Greatest Hits was still high in the charts. “Atlantis” / “I Love My Shirt” was released as a single in November 1968 in the UK. In the US, “To Susan on the West Coast Waiting” / “Atlantis” was eventually released in March 1969. “Atlantis” ended up charting higher than its a-side. Some of the songs recorded were originally meant to be included on the unreleased Moon In Capricorn album.

In May 1969, Mickie Most produced at least one session with Donovan fronting the Jeff Beck Group. “Goo Goo Barabajagal (Love Is Hot)” and “Trudi” resulted from these sessions. There were other songs recorded by Donovan and the Jeff Beck Group, but they remained unreleased until they appeared as bonus tracks on the 2005 UK reissue of the album. Rod Stewart was in the band at this time, but he does not sing lead on any of the songs that were released.

The songs on this album represent all facets of Donovan’s career. Several rockers adorn the album, including the title track, “Trudi”, “The Love Song” and “Superlungs (My Supergirl)”. “I Love My Shirt” updates the sound of Donovan’s children’s music, and there are several slow songs featuring breathy vocals (“Where Is She?”, “To Susan on the West Coast Waiting”) reminiscent of the For Little Ones portion of A Gift from a Flower to a Garden. It is during the Barabajagal sessions that Donovan’s musical vision and work ethic began to diverge from that of producer Mickie Most. The two eventually stopped working together, effectively ending Donovan’s chart success.

[Lyrics]
The continent of Atlantis was an island
Which lay before the great flood
In the area we now call the Atlantic Ocean.
So great an area of land,
That from her western shores
Those beautiful sailors journeyed
To the South and the North Americas with ease,
In their ships with painted sails.
To the East Africa was a neighbour,
Across a short strait of sea miles.
The great Egyptian age is

But a remnant of The Atlantian culture.
The antediluvian kings colonised the world
All the Gods who play in the mythological dramas
In all legends from all lands were from far Atlantis.

Knowing her fate,
Atlantis sent out ships to all corners of the Earth.
On board were the Twelve:

The poet, the physician, The farmer, the scientist,
The magician and the other so-called Gods of our legends.
Though Gods they were –
And as the elders of our time choose to remain blind
Let us rejoice
And let us sing
And dance and ring in the new Hail Atlantis!

Way down below the ocean where I wanna be she may be,
Way down below the ocean where I wanna be she may be,
Way down below the ocean where I wanna be she may be.
Way down below the ocean where I wanna be she may be,
Way down below the ocean where I wanna be she may be.
My antediluvian baby, oh yeah yeah, yeah yeah yeah,
I wanna see you some day
My antediluvian baby, oh yeah yeah, yeah yeah yeah,
My antediluvian baby,
My antediluvian baby, I love you, girl,
Girl, I wanna see you some day.
My antediluvian baby, oh yeah
I wanna see you some day, oh My antediluvian baby.
My antediluvian baby, I wanna see you
My antediluvian baby, gotta tell me where she gone
I wanna see you some day Wake up, wake up, wake up, wake up,
oh yeah Oh club club, down down, yeah
My antediluvian baby, oh yeah yeah yeah yeah

3 favorite songs from Eric Clapton’s Backless album from November 1978.

Promises – Eric Clapton (1978) 24/192 FLAC Remaster 1080p Video ~MetalGuruMessiah~

Watch Out For Lucy – Eric Clapton (1978) 24/192 FLAC Remaster 1080p Video ~MetalGuruMessiah~

Golden Ring – Eric Clapton (1978) 24/192 FLAC Remaster 1080p Video ~MetalGuruMessiah~

“Promises” was released on Eric Clapton’s sixth studio album Backless, in November 1978. Β This is possibly my favorite song Clapton has recorded.

Not too long back I did a few equalizer vids for tracks from Eric’s No Reason To Cry album, and I mentioned Backless as my favorite EC album….always has been always will be! πŸ˜‰ I’ve always wanted to do concept vids for a couple of tracks, and may yet….till then decided to work up a couple/three equalizer style vids for a few of my favorite tracks in 192/24 FLAC audio. I hope you enjoy these beautiful songs as much as I still do. Thanks for watching!

Produced by Glyn Johns, and released by Polydor Records, Backless reached No. 8 on the pop charts. While the single “Promises” only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts.

The follow-up single, “Watch Out for Lucy”, was the B-side of “Promises”, but reached #40 on the Billboard charts on its own merit.

A blue and white scarf worn by Clapton on the album sleeve is believed to be a scarf of West Bromwich Albion Football Club. Clapton is widely believed to be a supporter of the club, despite being born in Ripley, Surrey more than 100 miles away. In recent years he has reportedly been more interested in Chelsea F.C.

[Lyrics]
I don’t care if you never come home,
I don’t mind if you just keep on
Rowing away on a distant sea,
‘Cause I don’t love you and you don’t love me.

You cause a commotion when you come to town;
You give ’em a smile and they melt.
Having lovers and friends is all good and fine,
But I don’t like yours and you don’t like mine.

La la, la la la la la.
La la, la la la la la.

I don’t care what you do at night,
Oh, and I don’t care how you get your delights.
I’m gonna leave you alone, I’ll just let it be,
I don’t love you and you don’t love me.

I got a problem. Can you relate?
I got a woman calling love hate.
We made a vow we’d always be friends.
How could we know that promises end?

[Bridge]

I tried to love you for years upon years,
You refuse to take me for real.
It’s time you saw what I want you to see,
And I’d still love you if you’d just love me.

[Chorus]

[Bridge 2x]

“Watch Out For Lucy” was released on Eric Clapton’s sixth studio album Backless, in November 1978.

 

[Lyrics]
Now my friend Bill was just a working lad
And he liked to have his fun.
He’d like to find a girl and get comfortable
When his working day was done.

He would spend all his money on a Friday night,
Wake up in the morning broke,
But he had a run in with little Lucy then;
Believe me that ain’t no joke.

[Chorus:]
Watch out for Lucy,
Though she may look frail.
Say excuse me, Lucy,
Darling don’t you use me;
I don’t want to land in jail.

She started out working in a cafe,
Picking money up on the side.
She was free and easy, everybody’s friend,
But she couldn’t be satisfied.

So now in walks Bill with his cash in his hand,
His heart upon his sleeve.
We tried to warn him about her ways,
We never did succeed.

[Chorus]

Well, the trap was sprung for poor old Bill;
You should have heard little Lucy sing
“I want a Cadillac car, a beautiful home,
And a thousand dollar ring.”

They found our hero in the gutter
With a diamond ring and a gun.
He’d done it for the love of Lucy
And ended up on the run.

[Chorus 2x]

“Golden Ring” was released on Eric Clapton’s sixth studio album Backless, in November 1978.

Produced by Glyn Johns, and released by Polydor Records, Backless reached No. 8 on the pop charts. While the single “Promises” only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts.

The follow-up single, “Watch Out for Lucy”, was the B-side of “Promises”, but reached #40 on the Billboard charts on its own merit.

[Lyrics][Chorus]
He gave to you a golden ring
It made you happy, it made you sing
And I played for you on my guitar
It did not last long, we did not go far

[Verse 1]
And though the times have changed
We are rearranged
Will the ties that bind remain the same?

You came around after a while
Everyone said that I made you smile
It all went well, and suddenly then
You heard that he would marry again

[Chorus]

[Verse 2]
Well I know that I have been here before
I have trod on your wings, I have opened the door
If I gave to you a golden ring
Would I make you happy, would I make you sing?

[Chorus][x2]

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You Don’t Miss Your Water – The Byrds (1968)

You Don’t Miss Your Water – The Byrds (1968) FLAC Remaster Audio 1080p Video ~MetalGuruMessiah~

“You Don’t Miss Your Water” was released on The Byrds’ sixth studio album, Sweetheart of the Rodeo , in August 1968. The Byrds also recorded a version with Gram on lead, but I think Roger McGuinn really soared on this tune!

This album is not only my favorite by The Byrds, it’s one of my Top 25 All-Time. I’ve already done a full video for “Hickory Wind” and updated it twice! πŸ˜‰ but I wanted to do equalizer vids for a couple more of the tunes I like the most. Actually, it’s very hard to choose favorites, but I really love this tune. I think this FLAC version taken from the Deluxe Edition (also used for the last “Hickory Wind” video) has the greatest sound.

Recorded with the addition of country rock pioneer Gram Parsons, it was influential as the first major country rock album by an established act and represented a stylistic move away from the psychedelic rock of the band’s previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre thus far. The album was also responsible for bringing Gram Parsons, who had joined the Byrds prior to the recording of the album, to the attention of a mainstream rock audience for the first time. Thus, the album can be seen as an important chapter in Parsons’ personal and musical crusade to make country music fashionable for a young audience.

The album was initially conceived as a musical history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, who had only joined the Byrds in February 1968, this proposed concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from several notable session musicians, including Lloyd Green, John Hartford, JayDee Maness and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, with some of Parsons’ vocals being re-recorded, partly due to legal complications, and by the time the album was released in August, Parsons had left the band. The Byrds’ move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment who viewed the Byrds as a group of long-haired hippies attempting to subvert country music.

Upon its release, the album reached #77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, “You Ain’t Goin’ Nowhere”, which achieved modest success, and “I Am a Pilgrim”, which failed to chart. The album received mostly positive reviews in the music press, but the band’s shift away from psychedelic music alienated much of its pop audience. Despite being the most commercially unsuccessful Byrds’ album to date upon its initial release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album.

[Lyrics]
In the beginning
You really loved me, oh
I was too blind
I could not see, now

But now that you left me
Ooh, how I cried out, I keep crying
You don’t miss your water
‘Till your well runs dry

I kept you crying
Sad and blue, oh my, oh
I was a playboy
I just wouldn’t be true

But now that you left me
Good lord, how I cried, I keep crying, I keep crying
Ooh, I didn’t miss my water
No I never missed my water
‘Till my well were run dry

I sit here and wonder
How in the world this could be, my, oh my
I never thought, oh, I never thought
You’d ever leave me

But now that you left me
Good lord, good lord, how I cried
You don’t miss your water, you don’t miss your water
‘Till your well runs dry

Ooh, you don’t miss your water, oh, you don’t miss your water
‘Till your well runs dry
I miss my water
I keep missing my water
I keep missing my water
And I want my water
I need my water
I love my water
And I want my water
And I’m little thirsty, now
And I’m little thirsty, now
I want my water
I keep wanting my water

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You Ain’t Goin’ Nowhere – The Byrds (1968)

You Ain’t Goin’ Nowhere – The Byrds (1968) FLAC Remaster Audio 1080p Video ~MetalGuruMessiah~

“You Ain’t Goin’ Nowhere” was released on The Byrds’ sixth studio album, Sweetheart of the Rodeo , in August 1968. This album is not only my favorite by The Byrds, it’s one of my Top 25 All-Time. I’ve already done a full video for “Hickory Wind” and updated it twice! πŸ˜‰ https://youtu.be/XnYgUf2qqB8 but I wanted to do equalizer vids for a couple more of the tunes I like the most. Actually, it’s very hard to choose favorites, but the album opener “You Ain’t Goin’ Nowhere” is a good choice for sure. I think this FLAC version taken from the Deluxe Edition (also used for the last “Hickory Wind” video) has the greatest sound…lots of detail for all the instruments and some decent bottom end (sometimes their music seemed mixed in a way that the bass was a bit buried…maybe that’s just me?).

Recorded with the addition of country rock pioneer Gram Parsons, it was influential as the first major country rock album by an established act and represented a stylistic move away from the psychedelic rock of the band’s previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre thus far. The album was also responsible for bringing Gram Parsons, who had joined the Byrds prior to the recording of the album, to the attention of a mainstream rock audience for the first time. Thus, the album can be seen as an important chapter in Parsons’ personal and musical crusade to make country music fashionable for a young audience.

The album was initially conceived as a musical history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, who had only joined the Byrds in February 1968, this proposed concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from several notable session musicians, including Lloyd Green, John Hartford, JayDee Maness and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, with some of Parsons’ vocals being re-recorded, partly due to legal complications, and by the time the album was released in August, Parsons had left the band. The Byrds’ move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment who viewed the Byrds as a group of long-haired hippies attempting to subvert country music.

Upon its release, the album reached #77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, “You Ain’t Goin’ Nowhere”, which achieved modest success, and “I Am a Pilgrim”, which failed to chart. The album received mostly positive reviews in the music press, but the band’s shift away from psychedelic music alienated much of its pop audience. Despite being the most commercially unsuccessful Byrds’ album to date upon its initial release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album.

[Lyrics]
Clouds so swift
Rain won’t lift
Gate won’t close
Railings froze
Get your mind off wintertime
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
I don’t care how many letters they sent
Morning came and morning went
Pick up your money
And pack up your tent
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
Buy me a flute
And a gun that shoots
Tailgates and substitutes
Strap yourself to the tree with roots
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
Genghis Khan
He could not keep
All his kings
Supplied with sleep
We’ll climb that hill, no matter how steep
When we come up to it
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair

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Something – Booker T. & the M.G.s (1970)

Something – Booker T. & the M.G.s (1970) 192KHz/24bit FLAC HD Video ~MetalGuruMessiah~

“Something” was the second track on McLemore Avenue, the 9th studio album by Booker T. & the M.G.s, which was released in April of 1970. The record consisted entirely of mostly instrumental covers of songs from the Beatles’ album Abbey Road (released only months earlier, in September 1969). The title and cover are an homage to the Beatles album, 926 East McLemore Avenue being the address of the Stax Studios in Memphis, as Abbey Road was for EMI Studios in London.

Booker T. Jones said, “I was in California when I heard Abbey Road, and I thought it was incredibly courageous of The Beatles to drop their format and move out musically like they did. To push the limit like that and reinvent themselves when they had no need to do that. They were the top band in the world but they still reinvented themselves. The music was just incredible so I felt I needed to pay tribute to it.”

This record has always been really special to me. There are so few good reasons to listen to cover work of The Beatles, some great stuff scattered about but mostly pointless. This record has always astonished me with this band’s groovyfanfukncydelic interpretations….the songs just breath and there is so much amazing musicianship in every second of the record. This is the band we all wish we could have had. I really can’t pick a favorite musician from this band they are all stellar, but drummer Al Jackson, Jr and Booker T. Jones and his magical Hammond M3 Organ were insane brilliant, and guitarist Steve Cropper and bassist Donald “Duck” Dunn were merely among the greatest who ever played. Damn, they were really something.

I’ve wanted to do somethings from McLemore Avenue for so long, but never could figure how to go about it. Finally found the fat, equalizer trick to work the video around. I’ll probably do the entire album, because it’s one of those records where, if I ever start to listen to, I cannot stop until the end!

If your a fan of rock n roll, The Beatles, Stax, soul, funk, soul or really music in general, McLemore Avenue is one that you really should give a listen to. It requires good headphones or a good home rig to get the full effect of the music, the bottom end, etc…plus it should be played LOUD if it’s gonna be played at all! πŸ˜‰

Thanks again to all my friends who stick around and encourage me to plug on! You guys RoCk! πŸ˜‰

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I’m gonna follow you, ’cause this here’s my town

I’m Gonna Follow You – Pat Benatar (1980) 192k/24 FLAC HD 1080p Video ~MetalGuruMessiah~

“I’m Gonna Follow You” was released on Pat Benatar’s second studio album, Crimes of Passion, on August 5, 1980 by Chrysalis Records.

I tried to do something to brighten up the old promo video, but it was very dark and when you add in the low resolution that I was working with, it was difficult to light it up much. Anyway, this is mainly all about the ability to offer a 24bit / 192kHz FLAC audio source of the track to a video. I hope you enjoy it! Thanks to all my friends for their continued support!

The album is the first to feature Myron Grombacher on drums, beginning a long tenure in Benatar’s band that would last into the late-1990s.

The album debuted on the US Billboard 200 album chart the week ending August 23 and held at No. 2 for five weeks in the US in January 1981, behind John Lennon’s Double Fantasy. It contains the hits “Hit Me with Your Best Shot” (US No. 9), “You Better Run” (US No. 42), “Treat Me Right” (US No. 18), plus a cover of Kate Bush’s international hit, “Wuthering Heights”.

Crimes of Passion is Benatar’s biggest selling career album, having been certified 4x Platinum (for sales of over four million copies) in the United States alone.

The song “Hell Is for Children”, which was not released as an A-side single, was also a hit on album-rock stations. A live version of this song from her album Live from Earth (1983) was released as the B-side of her “Love Is a Battlefield” single three years later. The song was featured in the 1981 animated film American Pop, as well as on the soundtrack.

In 1981, Benatar won her first Grammy Award for Best Female Rock Vocal Performance thanks to Crimes of Passion.

The music video for the song “You Better Run” was the second music video ever aired on MTV in 1981.

Crimes of Passion was reissued and remastered on Capitol Records in 2006.

[Lyrics]
I’m gonna follow you, ’til I wear you down
I’m gonna follow you, ’cause this here’s my town
You don’t know these streets the way that I do (I do, I do)
You can’t turn it on and off the way that I do (I do, I do)
Ooo, ooo…

I’m gonna follow you, ’til I know your timing
You’ll turn some corner soon, and find you can’t get by me
You don’t know these streets the way that I do (I do, I do)
You can’t turn it on and off the way that I do (I do, I do)

You see yourself as some kind of lily of the valley
You come around here in your ballet slippers padding on my alley
And you know that you can’t dance
‘Cause you know you never had the chance
I’m gonna dance for you!

Ooo, ooo…

I’m gonna follow you, ’til I wear you down
I’m gonna follow you, ’cause this here’s my town
You don’t know these streets the way that I do (I do, I do)
You can’t turn it on and off the way that I do (I do, I do)

You see yourself as some kind of lily of the valley
You come around here in your ballet slippers padding on my alley
And you know that you can’t dance
‘Cause you know you never had the chance
I’m gonna dance for you!

Ooo, ooo…

“Are you there…Do you have a thought for me that you can share?”

Flying Sorcery – Al Stewart (1976) MFSL FLAC Audio 1080p Video ~MetalGuruMessiah~

“Flying Sorcery” was released on Al Stewart’s seventh studio album, Year Of The Cat, in the summer of 1976. This is one of those rare records where just about every single song is a favorite!

I have quite a few new videos nearly finished (one thing or another not quite ready), but wanted to get something new out this morning…since I hadn’t done anything for Al since my summer update for my original “Palace of Versailles” https://youtu.be/4qym4I8TPWAΒ ….I jumped into “Flying Sorcery” last night and finished it up in about 3 hours work. This is my 3rd video from the Year of the Cat album (check “Broadway Hotel” https://youtu.be/9kclYecZPs0 and “Year of the Cat” https://youtu.be/ACAK1Ck2ZM0 )…and my 9th Al Stewart video overall. My Year of the Cat videos all feature FLAC audio sourced from the Mobile Fidelity Sound Lab remaster….easily the best sounding release of the album!

Hope you enjoy the effort for another wonderful, beautiful Al Stewart song….thanks for checking out the video!

[Lyrics]
With your photographs of Kitty Hawk
And the biplanes on your wall
You were always Amy Johnson
From the time that you were small
No schoolroom kept you grounded
While your thoughts could get away
You were taking off in Tiger Moths
Your wings against the brush-strokes of the day
Are you there
On the tarmac with the winter in your hair
By the empty hangar doors you stop and stare
Leave the oil-drums behind you, they won’t care
Oh, are you there

Oh, you wrapped me up in a leather coat
And you took me for a ride
We were drifting with the tail-wind
When the runway came in sight
The clouds came up to gather us
And the cockpit turned to white
When I looked the sky was empty
I suppose you never saw the landing-lights
Are you there
In your jacket with the grease-stain and the tear
Caught up in the slipstream of dare
The compass roads will guide you anywhere
Oh, are you there

The sun comes up on Icarus as the night-birds sail away
And lights the maps and diagrams
That Leonardo makes
You can see Faith, Hope and Charity
As they bank above the fields
You can join the flying circus
You can touch the morning air against your wheels
Are you there
Do you have a thought for me that you can share
Oh I never thought you’d take me unawares
Just call me if you ever need repairs
Oh, are you there

Shake it, baby, don’t break it

Nineteen Hundred and Eighty-Five – Paul McCartney & Wings (1973) HD Flac HD Video ~MetalGuruMessiah~

“Nineteen Hundred and Eighty-Five” was released on Paul McCartney and Wings’ third studio album, Band on the Run, in December of 1973. A brilliant track from one of the true masterpiece solo Beatle album. Play this one loud on good headphones or audio rig for full effect!

The video features the wild “Lullaby of Broadway” short film-within-a-film (from Busby Berkeley’s 1935 film “Gold Diggers of 1935”), which I edited for the track (the audio is sourced from a 96KHz/24bit HD FLAC of the 2010 Archive Edition Remaster Edition). I tried to clean up the low-res video I had, stretched it for widescreen and gave it the bluish tint for effect. Stay calm and party on like it’s Nineteen Hundred and Thirty-Fi…I mean EIGHTY-FIVE! πŸ˜‰

Band on the Run marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – “Jet” and “Band on the Run” – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalizing McCartney’s critical standing. It remains McCartney’s most successful album and the most celebrated of his post-Beatles works.

The majority of Band on the Run was recorded at EMI’s studio in Lagos, Nigeria, as McCartney wanted to make an album in an exotic locale. Shortly before departing for Lagos, however, drummer Denny Seiwell and guitarist Henry McCullough left the group; with no time to recruit replacements, McCartney went into the studio with just his wife Linda and Denny Laine, doubling on drums, percussion and most of the lead guitar parts himself as well as bass. On arriving, it was discovered that the studio was below standard, and conditions in Nigeria were tense and difficult; the McCartneys were robbed at knife-point, during which a bag containing unfinished song lyrics and demo tapes was taken. After the band’s return to England, final overdubs and further recording were carried out at AIR Studios in London.

In 2000, Q magazine placed it at number 75 in its list of the “100 Greatest British Albums Ever”. In 2012, Band on the Run was voted 418th on Rolling Stone’s revised list of “The 500 Greatest Albums of All Time”. A contemporary review by Jon Landau in Rolling Stone described the album as “with the possible exception of John Lennon’s Plastic Ono Band, the finest record yet released by any of the four musicians who were once called the Beatles”.
It was Paul McCartney’s last album issued on the Apple label.

More about the video:
The “Lullaby of Broadway” sequence tells the story of Broadway Baby who plays all night and sleeps all day. It opens with a head shot of singer Wini Shaw against a black background, then the camera pulls back and up, and Shaw’s head becomes the Big Apple, New York City. As everyone rushes off to work, Shaw returns home from her night’s carousing and goes to sleep. When she awakens, that night, we follow her and her beau (Dick Powell) from club to club, with elaborate large cast tap numbers, until she is accidentally pushed off a balcony to her death. The sequence ends with a return to Shaw’s head, as she sings the end of the song. Of all the musical numbers Berkeley created in his career, he named this as his personal favorite.

[Lyrics]

On no one left alive in 1985, will ever do
She may be right
She may be fine
She may get love but she won’t get mine
‘Cause I got you
Oh, oh I, oh oh I
Well I just can’t enough of that sweet stuff
My little lady gets behind
(Shake it, baby, don’t break it)
Oh my mama said the time would come
When I would find myself in, love with you
I didn’t think
I never dreamed
That I would be around, to see it all come true
Whoa oh oh I, oh oh I
Well I just can’t get enough of that sweet stuff
My little lady gets behind
Ah no one left alive in 1985, will ever do
She may be right
She may be fine
She may get love but she won’t get mine
‘Cause I got you
Oh oh I, oh oh I
Well I just can’t get enough of that sweet stuff
My little lady left behind