On The Way – Paul McCartney (1980)

On The Way – Paul McCartney (1980) FLAC Remaster 1080p Video ~MetalGuruMessiah~

“On The Way” was released on the Paul McCartney II album in the spring of 1980. I wasn’t a huge fan of this record when it was released…based on the single (“Coming Up”) that was released just prior to the album my expectations were very high and there was simply too many (even for Macca) slight & fluffy filler tracks to give the album much cohesiveness. This album has become quite a cult favorite and has many fans, I’ll admit that time seems to have been very kind to this record, I like it more now than I did then…maybe it just caught up to it? In 2003, Mojo placed the album at number 26 on their list of the “Top 50 Eccentric Albums”. In 2011, NME included the album on their list of “101 Albums to Hear Before You Die,” whose list entries were selected by different musicians; McCartney II was picked by Austin Williams of Swim Deep.

I’d not given much thought about doing this tune, and this video was really kind of an accident as an experiment for another song led me to drop in “On The Way” audio as a replacement. The frequency reactions I’d created for the other tune were left intact, and I really should have made adjustments to this songs frequencies so that the response would have produced a better result with the reaction….but it’s not too far off and works alright I think…for what it is?

FROM WIKI: After the releases of what turned out to be Wings’ final album, Back to the Egg, McCartney went north to his farm in Scotland to begin some private recordings in July 1979. The first song he recorded was “Check My Machine” as a way to test the equipment, hence its title. By sessions’ end, he had recorded over 20 songs. With no immediate use for the recordings, he put them aside for the time being and returned to work with Wings in order to prepare for a UK tour that November and December. Simultaneously with the performances (which included the new “Coming Up”), Paul McCartney released his first solo single since 1971, the festive Top 10 UK hit “Wonderful Christmastime” b/w “Rudolph the Red-Nosed Reggae”. The A-side was recorded during the McCartney II sessions, while its flip side had been cut in 1975. However, upcoming events were about to change McCartney’s plans with Wings.

After years of visa refusals due to his past marijuana busts, Japan had finally allowed McCartney, and thus Wings, to perform. It would be McCartney’s first time playing there since 1966 with The Beatles, and anticipation was running high with Wings’ tour completely sold out. However, upon his arrival in Tokyo on 16 January 1980, a search of McCartney’s luggage revealed a bag containing 219 grams of marijuana, prompting his immediate arrest and eventually cancelling the tour. After a nine-day jail stay, McCartney was released and returned home to his Scottish farm. Deciding to put Wings on hold while he contemplated his future, he now decided to issue his solo recordings from the previous summer.

McCartney II was released in mid-May to mixed reviews; many critics found the album, with its experimental, synth-based compositions and its handful of instrumentals, slight. That did not stop it from reaching #1 in the UK and #3 in the US. The next single, the introspective “Waterfalls”, was a UK Top 10 hit, but failed to make an impact in the US. Despite its less-than-rapturous critical reaction, McCartney II has continued to remain a favourite of McCartney devotees.

The initial issue of this album on compact disc featured “Check My Machine” and “Secret Friend” as bonus tracks. The two songs were originally released as the B-sides of “Waterfalls” and “Temporary Secretary”, respectively. In 1993, McCartney II was remastered and reissued on CD as part of “The Paul McCartney Collection” series with Wings’ 1979 hit “Goodnight Tonight” added as a third bonus track.

When the new remastered version was released in 13 June 2011 as part of the Paul McCartney Archive Collection, the album re-entered the UK charts at number 108. END WIKI.

[Lyrics]
[Verse 1]
Well, you know I’ll always love you
But it would have been a lie
If I said that I could please you
Every moment that I try

[Chorus]
Wouldn’t want to see you crying
So l hope you don’t mind the things I say
On the way

[Verse 2]
Well, we’ve been traveling for a long time
And we finally finished here
Though I said some things to hurt you
Well, it was only out of fear

[Chorus]

[Verse 3]
Well, you know I’ll always love you
Everything will be alright
If I know you don’t mind the things I say
On the way
L know you don’t mind the things I say
On the way
Well, you know I’ll always love you
Everything will be okay
If I know you don’t mind the things I say
On the way

My friends are lying in the sun, I wish I was there.

Summer ’68 – Pink Floyd (1970) MFSL / 24KT Gold Ultra II Remaster HD 1080p Video ~MetalGuruMessiah~

“Summer ’68” was released on Pink Floyd’s fifth studio album, Atom Heart Mother, in the fall of 1970. Excited to see that some long blocked Floyd tunes are back! Standby for the resurrection of my long my blocked epic “Atom Heart Mother” video, soon as I can find time for a few minor updates and edits of the video and sound….the cows shall moo again shortly! πŸ˜‰

The video is Jan Ε vankmajer’s The Death of Stalinism in Bohemia (1990)….a visionary filmmaker that I have several videos started that feature his work, this is the first one to get finished….not much editing on my part, it’s basically the short film set to the tune (although I did work some work on the film to make it look better in HD)…I could have edited it a bit more for a better sync, but you know?! πŸ˜‰

Stalin’s bust is opened on an operating table, and this leads into an animated sequence which depicts Czech history from 1948, when it was taken over by Communists, to 1989, when the Velvet Revolution took place. Background knowledge of the historical context is required for one to fully understand and appreciate the entirely visual film.

The website Mubi gives the film a rating of four stars. [1]
Janet Maslin of The New York Times describes the film as being a “wonderfully apt short”, and describes the plot of “rush[ing] a statue of Stalin through drastic surgery, cranks out clay workers on an assembly line only to grind them back into clay” is “droll, breakneck satire”.

This album to me is an absolute one of a kind masterpiece, I like it much more than the more critically acclaimed earlier Floyd records. It seems that, according to a wiki article on the record, that both Roger and David have not thought as highly of it both recently making statements to the effect that it wasn’t up to par with the best Floyd efforts. This is a unique record, even from a band that specialized in unique records! It has always had a very otherworldly vibe going. I’ve heard it argued that it now sounds dated, but listening to it even today it sounds brilliant. I think that “dated” sound was intact when it was released in 1970, it’s just always sounded like something recorded from another time.
[Lyrics]
Would you like to say something before you leave?
Perhaps you’d care to state exactly how you feel.
We say goodbye before we’ve said hello.
I hardly even like you.
I shouldn’t care at all.
We met just six hours ago.
The music was too loud.
From your bed I gained a day and lost a bloody year.
And I would like to know, how do you feel?
How do you feel?
Not a single word was said.
Delights still without fears.
Occasionally you showed a smile, but what was the need?
I felt the cold far too soon – the wind of ninetyfive.
My friends are lying in the sun, I wish I was there.
Tomorrow brings another town, another girl like you.
Have you time before you leave to greet another man
Just to let me know, how do you feel?
How do you feel?
Goodbye to you.
Charlotte Kringles too.
I’ve had enough for one day.

“Confrontation” from Michael Mann’s Thief (1981)

Confrontation – Craig Safan (1981) (Thief Soundtrack) FLAC Remaster 1080p Video ~MetalGuruMessiah~

“Confrontation” was the written and performed by Craig Safan as the music to play of the the final violent scenes of Michael Mann’s
1981 film Thief, where Frank (James Caan) is blowing up, burning and destroying his past life. I’ve always loved this soundtrack especially this song, and “Beach Theme/Beach Scene” (I’ll probably do an equalizer effect vid for a combination of the tracks soon).

Tangerine Dream did some other soundtracks that I really like including Scorcer, Miracle Mile, Near Dark, Firestarter, Risky Business, Legend, and The Keep. A very influential band.

Thief (1981) is the second soundtrack album by the German band Tangerine Dream and their fifteenth album overall. It is the soundtrack for the film Thief, directed by Michael Mann. It reached No. 43 on the UK Albums Chart in a 3-week run.

“Beach Theme” and “Beach Scene” are two different mixes of the same piece. The album version of “Dr. Destructo” is quite different from the film version. An extended version of “Dr. Destructo” was available only on a promo single. “Igneous” is a remix of “Thru Metamorphic Rocks” from the 1979 album Force Majeure. Neither “Beach Theme” nor “Trap Feeling” appear in the film.

After Tangerine Dream completed the soundtrack, Mann needed another sequence. As Tangerine Dream was on tour, Craig Safan composed and performed “Confrontation”. The original 1981 Elektra LP released in the U.S. featured “Confrontation”, but subsequent releases featured “Beach Scene” instead.

During the 1980s, Toronto television station CITY-TV used “Scrap Yard” as their background music when inserting technical difficulties slide cards.

The soundtrack was also nominated for Worst Musical Score at the 2nd Golden Raspberry Awards.

There are currently two versions of the soundtrack available with different track listings and album covers. Version A has “Original Motion Picture Soundtrack” above the title followed by “James Caan” just below. “Composed and Performed by Tangerine Dream” appears at the bottom. Version B just has “Tangerine Dream” above the title.

In 2004, Wounded Bird Records re-released version B with “Confrontation”; there were however two mispressings, one with the version A track list, and one with “Igneous” removed instead of “Beach Scene” All had the listing for version B on the CD and cover.

In 2014, Perseverance Records released a re-mastered, 9 track version that included both Beach Scene and Confrontation, thus correcting the errors on previous releases where both tracks were never on the same disc.

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Booker T. & The MG’s. Medley (“Because” & “You Never Give Me Your Money”)

Medley – Booker T. & The MG’s. (1970) 24bit FLAC HD Video ~MetalGuruMessiah~

Medley (“Because” & “You Never Give Me Your Money”) was the 3rd track (and the 2nd medley) on McLemore Avenue, the 9th studio album by Booker T. & the M.G.s, which was released in April of 1970. The record consisted entirely of mostly instrumental covers of songs from the Beatles’ album Abbey Road (released only months earlier, in September 1969). The title and cover are an homage to the Beatles album, 926 East McLemore Avenue being the address of the Stax Studios in Memphis, as Abbey Road was for EMI Studios in London.

Booker T. Jones said, “I was in California when I heard Abbey Road, and I thought it was incredibly courageous of The Beatles to drop their format and move out musically like they did. To push the limit like that and reinvent themselves when they had no need to do that. They were the top band in the world but they still reinvented themselves. The music was just incredible so I felt I needed to pay tribute to it.”

This record has always been really special to me. There are so few good reasons to listen to cover work of The Beatles, some great stuff scattered about but mostly pointless. This record has always astonished me with this band’s groovyfanfukncydelic interpretations….the songs just breath and there is so much amazing musicianship in every second of the record. This is the band we all wish we could have had. I really can’t pick a favorite musician from this band they are all stellar, but drummer Al Jackson, Jr and Booker T. Jones and his magical Hammond M3 Organ were insane brilliant, and guitarist Steve Cropper and bassist Donald “Duck” Dunn were merely among the greatest who ever played. Damn, they were really something.

If your a fan of rock n roll, The Beatles, Stax, soul, funk, soul or really music in general, McLemore Avenue is one that you really should give a listen to. It requires good headphones or a good home rig to get the full effect of the music, the bottom end, etc…plus it should be played LOUD if it’s gonna be played at all! πŸ˜‰

Thanks again to all my friends who stick around and encourage me to plug on! You guys RoCk! πŸ˜‰ I hope you enjoy my 3rd video from McLemore Avenue”! πŸ˜‰

Lady Starlight – Scorpions (1980)

Lady Starlight – Scorpions (1980) FLAC Remaster 1080p Video ~MetalGuruMessiah~

“Lady Starlight” was released on the Scorpion’s seventh studio album, Animal Magnetism, in late winter 1980. This has always been one of my very favorite rock ballads and it was one of the first videos I made a video for…(#20) uploaded nearly 6 years ago! The song takes me to back to times, places and people that I loved way back when. Hope you enjoy the effort…thanks for watching!

Since I started out with some of my very favorite tunes when I started making the fan vids, consequently some of my favorite songs have very clunky videos….always happy to find the energy and time to get one updated! Made a couple of choices with this video that I may regret soon (I’d worked up higher resolution album art to use in the art concept that I used in my original “The Zoo” video, but I decided to plug it in here as well…it actually works better with “The Zoo”). Rudolf Schenker usually played rhythm guitar but occasionally he’d step up with a solo, this is a great example of what he was capable of. I wanted to feature a clip of him playing the guitar solo but couldn’t find anything…so we honor him with a pic instead!) of course, but you get the idea, until then…here we go. Presented with FLAC audio sourced from very rare Import Scorpion’s No.1’s compilation….which I still believe to be the best remaster ever released of this song (and others)….better even than the recent Animal Magnetism: 50th Band Anniversary Import which sounds pretty awesome (and has lots of extra tracks!).

I was a huge fan of both UFO and Scorpions, in part but certainly not totally, due to Micheal Schenker’s guitar work with both bands. The year before on their previous album (Lovedrive), it was both disappointing and exciting to hear Michael back with Scorpions….his work with UFO was just out of this world, but nevertheless Lovedrive was such an amazing guitar album, due in huge part to the work of the three lead guitarists (also Rudolph Schenker and Matthias Jabs), and I remember anticipating the Scorpions next album so we could hear more of Micheal’s tasty, blistering guitar work. Of course, it didn’t quite turn out that way, as Micheal didn’t return for Animal Magnetism. However, luckily both his brother Rudolph and Matthias Jabs remained on board and while it may not be quite the masterpiece of guitar rock that Lovedrive was, it’s still an amazing album.

[Lyrics]
Walking through a winter night
Counting the stars
And passing time
I dream about the summer days
Love in the Sun
And lonely bays

I see the stars, they’re miles and miles away
Like our love
On one of these lonely winter nights
Dreaming through a winter night
Memories of you are passing by
It seems to me like yesterday
I think you knew I couldn’t stay
I see the stars, they’re miles and miles away
Like our love
Lady starlight, help me to find my love
Lady starlight, help me tonight
Help me to find my love
Walking through a winter night
Counting the stars
And passing time
Snow dances with the wind
I wish I could be with you again
I see the stars, they’re miles and miles away
Like our love
Lady starlight, help me to find my love
Lady starlight, help me tonight
Help me to find my love
Lady starlight, help me tonight help me to find my love
Lady starlight, help me tonight help me to find my love

You Don’t Miss Your Water – The Byrds (1968)

You Don’t Miss Your Water – The Byrds (1968) FLAC Remaster Audio 1080p Video ~MetalGuruMessiah~

“You Don’t Miss Your Water” was released on The Byrds’ sixth studio album, Sweetheart of the Rodeo , in August 1968. The Byrds also recorded a version with Gram on lead, but I think Roger McGuinn really soared on this tune!

This album is not only my favorite by The Byrds, it’s one of my Top 25 All-Time. I’ve already done a full video for “Hickory Wind” and updated it twice! πŸ˜‰ but I wanted to do equalizer vids for a couple more of the tunes I like the most. Actually, it’s very hard to choose favorites, but I really love this tune. I think this FLAC version taken from the Deluxe Edition (also used for the last “Hickory Wind” video) has the greatest sound.

Recorded with the addition of country rock pioneer Gram Parsons, it was influential as the first major country rock album by an established act and represented a stylistic move away from the psychedelic rock of the band’s previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre thus far. The album was also responsible for bringing Gram Parsons, who had joined the Byrds prior to the recording of the album, to the attention of a mainstream rock audience for the first time. Thus, the album can be seen as an important chapter in Parsons’ personal and musical crusade to make country music fashionable for a young audience.

The album was initially conceived as a musical history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, who had only joined the Byrds in February 1968, this proposed concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from several notable session musicians, including Lloyd Green, John Hartford, JayDee Maness and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, with some of Parsons’ vocals being re-recorded, partly due to legal complications, and by the time the album was released in August, Parsons had left the band. The Byrds’ move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment who viewed the Byrds as a group of long-haired hippies attempting to subvert country music.

Upon its release, the album reached #77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, “You Ain’t Goin’ Nowhere”, which achieved modest success, and “I Am a Pilgrim”, which failed to chart. The album received mostly positive reviews in the music press, but the band’s shift away from psychedelic music alienated much of its pop audience. Despite being the most commercially unsuccessful Byrds’ album to date upon its initial release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album.

[Lyrics]
In the beginning
You really loved me, oh
I was too blind
I could not see, now

But now that you left me
Ooh, how I cried out, I keep crying
You don’t miss your water
‘Till your well runs dry

I kept you crying
Sad and blue, oh my, oh
I was a playboy
I just wouldn’t be true

But now that you left me
Good lord, how I cried, I keep crying, I keep crying
Ooh, I didn’t miss my water
No I never missed my water
‘Till my well were run dry

I sit here and wonder
How in the world this could be, my, oh my
I never thought, oh, I never thought
You’d ever leave me

But now that you left me
Good lord, good lord, how I cried
You don’t miss your water, you don’t miss your water
‘Till your well runs dry

Ooh, you don’t miss your water, oh, you don’t miss your water
‘Till your well runs dry
I miss my water
I keep missing my water
I keep missing my water
And I want my water
I need my water
I love my water
And I want my water
And I’m little thirsty, now
And I’m little thirsty, now
I want my water
I keep wanting my water

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You Ain’t Goin’ Nowhere – The Byrds (1968)

You Ain’t Goin’ Nowhere – The Byrds (1968) FLAC Remaster Audio 1080p Video ~MetalGuruMessiah~

“You Ain’t Goin’ Nowhere” was released on The Byrds’ sixth studio album, Sweetheart of the Rodeo , in August 1968. This album is not only my favorite by The Byrds, it’s one of my Top 25 All-Time. I’ve already done a full video for “Hickory Wind” and updated it twice! πŸ˜‰ https://youtu.be/XnYgUf2qqB8 but I wanted to do equalizer vids for a couple more of the tunes I like the most. Actually, it’s very hard to choose favorites, but the album opener “You Ain’t Goin’ Nowhere” is a good choice for sure. I think this FLAC version taken from the Deluxe Edition (also used for the last “Hickory Wind” video) has the greatest sound…lots of detail for all the instruments and some decent bottom end (sometimes their music seemed mixed in a way that the bass was a bit buried…maybe that’s just me?).

Recorded with the addition of country rock pioneer Gram Parsons, it was influential as the first major country rock album by an established act and represented a stylistic move away from the psychedelic rock of the band’s previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre thus far. The album was also responsible for bringing Gram Parsons, who had joined the Byrds prior to the recording of the album, to the attention of a mainstream rock audience for the first time. Thus, the album can be seen as an important chapter in Parsons’ personal and musical crusade to make country music fashionable for a young audience.

The album was initially conceived as a musical history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, who had only joined the Byrds in February 1968, this proposed concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from several notable session musicians, including Lloyd Green, John Hartford, JayDee Maness and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, with some of Parsons’ vocals being re-recorded, partly due to legal complications, and by the time the album was released in August, Parsons had left the band. The Byrds’ move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment who viewed the Byrds as a group of long-haired hippies attempting to subvert country music.

Upon its release, the album reached #77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, “You Ain’t Goin’ Nowhere”, which achieved modest success, and “I Am a Pilgrim”, which failed to chart. The album received mostly positive reviews in the music press, but the band’s shift away from psychedelic music alienated much of its pop audience. Despite being the most commercially unsuccessful Byrds’ album to date upon its initial release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album.

[Lyrics]
Clouds so swift
Rain won’t lift
Gate won’t close
Railings froze
Get your mind off wintertime
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
I don’t care how many letters they sent
Morning came and morning went
Pick up your money
And pack up your tent
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
Buy me a flute
And a gun that shoots
Tailgates and substitutes
Strap yourself to the tree with roots
You ain’t goin’ nowhere
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair
Genghis Khan
He could not keep
All his kings
Supplied with sleep
We’ll climb that hill, no matter how steep
When we come up to it
Whoo-ee, ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair

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Something – Booker T. & the M.G.s (1970)

Something – Booker T. & the M.G.s (1970) 192KHz/24bit FLAC HD Video ~MetalGuruMessiah~

“Something” was the second track on McLemore Avenue, the 9th studio album by Booker T. & the M.G.s, which was released in April of 1970. The record consisted entirely of mostly instrumental covers of songs from the Beatles’ album Abbey Road (released only months earlier, in September 1969). The title and cover are an homage to the Beatles album, 926 East McLemore Avenue being the address of the Stax Studios in Memphis, as Abbey Road was for EMI Studios in London.

Booker T. Jones said, “I was in California when I heard Abbey Road, and I thought it was incredibly courageous of The Beatles to drop their format and move out musically like they did. To push the limit like that and reinvent themselves when they had no need to do that. They were the top band in the world but they still reinvented themselves. The music was just incredible so I felt I needed to pay tribute to it.”

This record has always been really special to me. There are so few good reasons to listen to cover work of The Beatles, some great stuff scattered about but mostly pointless. This record has always astonished me with this band’s groovyfanfukncydelic interpretations….the songs just breath and there is so much amazing musicianship in every second of the record. This is the band we all wish we could have had. I really can’t pick a favorite musician from this band they are all stellar, but drummer Al Jackson, Jr and Booker T. Jones and his magical Hammond M3 Organ were insane brilliant, and guitarist Steve Cropper and bassist Donald “Duck” Dunn were merely among the greatest who ever played. Damn, they were really something.

I’ve wanted to do somethings from McLemore Avenue for so long, but never could figure how to go about it. Finally found the fat, equalizer trick to work the video around. I’ll probably do the entire album, because it’s one of those records where, if I ever start to listen to, I cannot stop until the end!

If your a fan of rock n roll, The Beatles, Stax, soul, funk, soul or really music in general, McLemore Avenue is one that you really should give a listen to. It requires good headphones or a good home rig to get the full effect of the music, the bottom end, etc…plus it should be played LOUD if it’s gonna be played at all! πŸ˜‰

Thanks again to all my friends who stick around and encourage me to plug on! You guys RoCk! πŸ˜‰

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A dream of mad man moon.

Mad Man Moon – Genesis (1976) SACD Remaster FLAC 1080p Video ~MetalGuruMessiah~

“Mad Man Moon” was released on Genesis’ seventh studio album, A Trick of the Tail, in February 1976. Hadn’t done any Genesis in a while, but happy to get around to finishing another old project from one of the albums from my favorite Genesis era. To my longtime friends; thanks for sticking around…and to new viewers of my channel…thanks for watching! πŸ™‚

A Trick of the Tail was the first album to feature drummer Phil Collins as lead vocalist, following Peter Gabriel’s departure.

The album was recorded at Relight Studios and mixed at Trident Studios in October/November 1975. It also marked the first album that the band would co-produce with David Hentschel. They would work with Hentschel for the n

A Trick of the Tail reached No.3 in the UK, remaining on the charts for 39 weeks, and No.31 in the US. Additionally, the album was certified Gold in the US by the RIAA in March 1990. Also according to Tony Banks in the essay that comes with Platinum Collection, the album doubled the band’s previous albums sales. This success was also financially crucial for Genesis who were $400,000 in debt by the time Peter Gabriel left.

This is the eighth video I’ve made for a Genesis song (and the third for a track from A Trick of the Tail..see “Ripples” https://youtu.be/iS6jt0ATanE & “Entangled” https://youtu.be/bqxEoPVEOOE. This video also features FLAC audio sourced from the 2007 SACD, absolutely the best way to hear this album …..other video links below lyrics.

Hope you enjoy the effort!

As usual HUGE THANKS to everyone who’s art made this new art possible…THANK YOU!!!!!

[Lyrics]
Was it summer when the river ran dry,
Or was it just another dam.
When the evil of a snowflake in June
Could still be a source of relief.
O how I love you, I once cried long ago,
But I was the one who decided to go.
To search beyond the final crest,
Though I’d heard it said just birds could dwell so high.

So I pretended to have wings for my arms
And took off in the air.
I flew to places which the clouds never see,
Too close to the deserts of sand,
Where a thousand mirages, the shepherds of lies
Forced me to land and take a disguise.
I would welcome a horse’s kick to send me back
If I could find a horse not made of sand.

If this desert’s all there’ll ever be
Then tell me what becomes of me.
A fall of rain?
That must have been another of your dreams,
A dream of mad man moon.

Hey man,
I’m the sand man.
And boy have I news for you;
They’re gonna throw you in gaol
And you know they can’t fail
’cause sand is thicker than blood.
But a prison in sand
Is a haven in hell,
For a gaol can give you a goal
[and a] goal can find you a role
On a muddy pitch in Newcastle,
Where it rains so much
You can’t wait for a touch
Of sun and sand, sun and sand…

Within the valley of shadowless death
They pray for thunderclouds and rain,
But to the multitude who stand in the rain
Heaven is where the sun shines.
The grass will be greener till the stems turn to brown
And thoughts will fly higher till the earth brings them down.
Forever caught in desert lands one has to learn
To disbelieve the sea.

If this desert’s all there’ll ever be
Then tell me what becomes of me.
A fall of rain?
That must have been another of your dreams,
A dream of mad man moon.
Your Own Special Way – Genesis (1976) 2007 SACD FLAC Remaster HD 1080p

Heathaze – Genesis (1980) Remastered FLAC Audio HD 1080p

Many Too Many – Genesis (1978) 2007 SACD FLAC Audio Remaster HD 1080p Video

Snowbound – Genesis (1978) 2007 SACD FLAC Audio Remaster HD 1080p Video

Entangled – Genesis (1976) 2007 SACD Remastered FLAC HD 1080p

 

4 tracks from Eric Clapton’s No Reason To Cry album (1976) 192KHz/24bit FLAC

4 of my favorite tracks from Eric Clapton’s fourth solo studio album, No Reason To Cry, which was released in August of 1976. This is my second favorite Eric Clapton album (after 1978’s Backless).

These videos will represent my very first in a new style series that I’ll be uploading (similar to the few other visual equalizer tracks I’ve done in past)….still working towards an interesting way for me to make quick uploads for the best audio sources of my favorite tracks from select albums using simple video templates…in-between my other video projects. I’ll try and cluster at least two from each album…maybe 3? Hope you enjoy the selections! Thanks for watching!

The album was recorded at The Band’s Shangri-la Studios in March 1976, and included involvement from all five members; Rick Danko shared vocals with Clapton on “All Our Past Times,” which he co-wrote with Clapton. The album also includes a duet with Bob Dylan on his otherwise unreleased song “Sign Language.” The booklet in Bob Dylan’s box set The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 describes his involvement in this album: “Dylan dropped by and was just hanging out, living in a tent at the bottom of the garden. He would sneak into the studio to see what was going on. Dylan offered his new, unrecorded song “Seven Days” to Clapton. Clapton passed on it, but Ron Wood took him up on the offer and released it on his third solo album Gimme Some Neck”.The song “Innocent Times” is sung by Marcy Levy, who also shared vocals with Clapton on “Hungry.” Female vocals are also on many of the other songs. Yvonne Elliman, who is thanked on the back cover, sang on some of the songs too.

Hello Old Friend – Eric Clapton (1976) 192KHz/24bit FLAC HD 1080p Video ~MetalGuruMessiah~

[Lyrics]
As I am strolling down the garden path,
I saw a flower glowing in the dark.
It looked so pretty and it was unique;
I had to bend down just to have a peek.

Hello old friend,
It’s really good to see you once again.
Hello old friend,
It’s really good to see you once again.

I saw you walking underneath the stars;
I couldn’t stop ’cause I was in a car.
I’m sure the distance wouldn’t be too far
If I got out and walked to where you are.

Hello old friend,
It’s really good to see you once again.
Hello old friend,
It’s really good to see you once again.

An old man passed me on the street today;
I thought I knew him but I couldn’t say.
I stopped to think if I could place his frame.
When he tipped his hat I knew his name.

Hello old friend,
It’s really good to see you once again.
Hello old friend,
It’s really good to see you once again.

Hello old friend,
It’s really good to see you once again.
Hello old friend,
It’s really good to see you once again.

All Our Past Times – Eric Clapton (1976) 192KHz/24bit FLAC HD 1080p Video ~MetalGuruMessiah~

[Lyrics]
I don’t want to be the one to say I’m sorry.
I don’t want to be the one to take the blame.
I don’t want to be the one to throw it over.
I don’t want to be the one to feel ashamed.

I don’t want to be the one who thinks of nothing.
I don’t want to be the one to tell you what you have seen.
After all this time, well I thought that you were mine.
I just want to be the one who would share this dream.

All our past times should be forgotten.
All our past times should be erased.
I don’t care how much it costs;
Cause I don’t count the loss
As long as I can see your face again.

You don’t have to tell me when you’re leaving,
If it’s half past one, if it’s maybe four.
It makes no difference where you think you’re going,
But please remember not to slam the door.

Yes, I don’t care how much it costs;
You know I don’t count the loss
As long as I can see your face again.

Sign Language – Eric Clapton (1976) 192KHz/24bit FLAC HD 1080p Video ~MetalGuruMessiah~

[Lyrics]
You speak to me in sign language
As I’m eating a sandwich in a small cafe
At a quarter to three

But I can’t respond to your sign language
You’re taking advantage, bringing me down
Can’t you make any sound?

It was there by the bakery, surrounded by fakery
This is my story, still I’m still there
Does she know I still care?

Link Wray was playing on a jukebox, I was paying
For the words I was saying, so misunderstood
He didn’t do me no good

You speak to me in sign language
As I’m eating a sandwich in a small cafe
At a quarter to three

But I can’t respond to your sign language
You’re taking advantage, bringing me down
Can’t you make any sound?

Black Summer Rain – Eric Clapton (1976) 192KHz/24bit FLAC HD 1080p Video ~MetalGuruMessiah~

[Lyrics]
Where is the sun,
The sun that used to shine on me?
Where has it gone
Or is it just a memory?

I looked through the window,
Staring at the sky,
Waiting for a moment
That always passed me by.

Black summer rain,
Black summer rain,
Black summer rain is falling on me, girl.

Where is the love,
The love I need to set me free?
And how can I escape
This gloom that is swallowing me?

Black summer rain,
Black summer rain,
Black summer rain is falling on me, girl.

Black summer rain,
Black summer rain,
Black summer rain is falling on me, girl.