‘cos stars belong up in heaven & the earth is where we are. Oh yeah.

Dishes – Pulp (1998) HQ Remastered Audio HD Video

“Dishes” was released on Pulp’s sixth album, This Is Hardcore, in the early spring of 1998. This was a brutal beautiful downer of an album, but the tone and compositions were so much darker than their previous album (DIfferent Class) from 3 years earlier, the band seems to have lost many of the fans they picked up when the earlier album exposed them to many more people, as this record was not such a commercial success.

This Is Hardcore probably wasn’t what many of the fans who came onboard for Different Class thought they signed up for!? However, fans and critics weren’t frightened off by the dark grooves of despair and decay and recognized it for masterpiece it was. “Dishes” is maybe my favorite track from the record….thought that epic title track is hard to deny!

Pulp are one of maybe 3 bands from the 1990’s that I rank in my top 100 favorite artists, along with Catherine Wheel and Manic Street Preachers…they have produced numerous insanely brilliant albums and a string of masterpieces starting with their third album (1992’s Separations) and ending with their last (2001’s We Love Life)….that final album which seemed initially such a letdown, took even this longtime fan many repeated listens before it truly sank in….now it’s probably my very favorite the band ever released and therefore ranks very high on my list.

Pulp made HUGE music….that’s the best way for me to describe it….huge hooks, huge sound, huge drama….every song has a climax, some go over the edge more than once…I’ll stop now because the talent of this band has a tendency to make me go over the top with them!!!! ;-)

I’ve started videos for numerous Pulp songs, but have never gotten one finished until now. Some of those earlier efforts are more involved and tedious going, so I decided to try something involving my latest category of video (“the toon vid”! LOL!) to get one out. And the result is “Dishes”…..I hope some old fans enjoy the effort…and that the video will maybe bring some new fans into the warm fold of this extraordinary band!

As usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!!

Video (mostly) from Pulp:Hits DVD:http://www.amazon.com/Pulp-Hits/dp/B00006LSI4
….it’s cheap, it’s great….it’s PULP!

[Lyrics]
I am not Jesus though I have the same initials -
I am the man who stays home and does the dishes.
& how was your day?
Is that woman still trying to do your head in?
A man told me to beware of 33.
He said, “It was not an easy time for me” but I’ll get through even though
I’ve got no miracles to show you.

*I’d like to make this water wine
but it’s impossible.
I’ve got to get these dishes dry.
Ah…

I’ll read a story if it helps you sleep at night.
I’ve got some matches if you ever need a light.
Oh I am just a man
but I am doing what I can to help you.

[*Repeat]
& I’m not worried that I will never touch the stars
‘cos stars belong up in heaven
& the earth is where we are.
Oh yeah.

& aren’t you happy just to be alive? Anything’s possible.
You’ve got no Cross to bear tonight. Ah
No not tonight, Ah.
No not tonight, Ah.
I am not Jesus though I have the
same initials.

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“And when I’m holding you What a feeling”….more greatness from 75’s Extra Texture (Read All About It)

You – George Harrison (1975) HQ Audio Remaster HD Video

“You” was the opening track on Extra Texture (Read All About It), the fifth studio album by George Harrison, released in the fall of 1975. This is my fourth video for a track from this album, which remains one of my favorites George ever produced, and in fact one of my favorite solo Beatle albums.

After a few more time-consuming efforts in the last couple of weeks I was feeling very lazy and didn’t want to mess with some of my other video projects (probably how George felt when he wrote the lyrics to this track?! ;-)….so I decided to fall back on one of my old tried and true methods…the dancer silhouette! LOL! I have an upcoming video featuring the “grooving girl” upper torso silhouette (where the effect actually works better IMO), but decided to go ahead and plug her into “You” where her groove fits the track pretty nicely.

From Wiki: The album was recorded following his troubled North American tour at the end of the previous year and the poorly received Dark Horse album. Extra Texture was Harrison’s final release under his contract with Apple Records and EMI, and also the last studio album issued by Apple.

Despite its downbeat mood and the negative reviews it received from music critics, Extra Texture was certified gold for US sales within two months of release and produced a modest hit single in the song “You”. Uniquely among George Harrison’s solo albums, Extra Texture was mostly recorded in America rather than in England.

Depression permeated many of the songs that Harrison was writing during this period, an issue that was not helped by his continued heavy drinking and cocaine use, nor the bad publicity attending the ongoing “My Sweet Lord” plagiarism suit. The lyrics for “The Answer’s at the End”, “This Guitar (Can’t Keep from Crying)”, “World of Stone” and “Grey Cloudy Lies” would all steer clear of his usual subject matter − Hindu spirituality − and instead appear to beg the listener for compassion. Harrison’s wavering from his Krishna-conscious path was most evident In “World of Stone”, writes author Gary Tillery: “‘Such a long way from home,’ he says, but in his autobiography he renders it, ‘Such a long way from OM’ − confessing inner turmoil at having strayed from his faith.”

“Tired of Midnight Blue” was written in Los Angeles, where he had decamped to in the early spring on Dark Horse Records-related business. The lyrics focused on his “depressed” state following a night in an LA club with “a lot of grey-haired naughty people”, he would later say; to Tillery, with its chorus line “Made me chill right to the bone”, “Tired of Midnight Blue” was Harrison reaching “rock bottom.

Till next time….hope you enjoy the effort!

As Usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!!!!

[Lyrics]
(one, two,
one, two, three, four)

I, I love, love
And I, and I love you
Oh you, you, yeah you

And you, you, love, love
And you, yes you, you love me
Yeah you, you, yeah you

And when I’m holding you
What a feeling
Seems so good to be true
That I’m telling you all
That I must be dreaming

And I, and I, I love you
Oh you, oh you, yeah you

And when I’m holding you
What a feeling
Seems so good to be true
That I’m telling you all
That I must be dreaming

Now I, oh I, I love, love
And I, yeah I, I love you, I love you
Oh you, you, oh you

Oh, you know that I love you, oh oh oh
Oh, you know that I love you, I love you, I, I said I love you

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Jethro Tull’s epic prog/folk/rock masterpiece from 1978….”Heavy Horses”

Heavy Horses – Jethro Tull (1978) HQ Audio HD Video

“Heavy Horses” is the title track from Jethro Tull’s eleventh studio album, Heavy Horses, which was released in the spring of 1978.

As much as I love earlier period Tull, probably my favorite albums were released in the time between Minstrel in ’75 through Broadsword in ’82. I saw Jethro Tull live touring in support of this album (extremely powerful live performance and man, as the video shows, Ian Anderson was such an incredibly agile and powerful performer!)

“Heavy Horses” just might be my absolute favorite Jethro Tull song….it has everything; beautiful melody, fantastic Martin Barre guitar work including the monster hook, great arrangement, it’s very dynamic, just cooks when it rocks….but mainly it’s Ian’s brilliant and evocative lyrics that make it most special for me. I’ve heard it it many hundreds of times and it simply never grows old! One of Jethro Tull’s greatest achievements.

This is my third video for a track from the Heavy Horses album and one of the songs I’ve wanted to video since I started this hobby. I chose to use a video performance (from 1982) which didn’t include the the long verse from “let me find you a filly”…so I had to try and match from similar earlier verse. I hope you enjoy the effort…and thanks for watching! Please give it a like and/or comment….it helps! Thanks!

Huge thanks to everyone who’s art made this new art possible, especially:

Video footage from:
Jethro Tull: Jack in the Green – Live in Germany 1970-93

(This is my one of my favorite Jethro Tull DVDs…if you’re a fan and haven’t seen it….the best $10 you’ll spend…..Amazon link above).

Tour Scotland
(Beautiful clips of horses plowing)

https://www.youtube.com/user/tourscotland

Rob Monk Photography
(Perfect photo of Ian Anderson at end of video (used as a mask with clouds)

http://robmonkphotography.com/

[Lyrics]
Iron-clad, feather-feet pounding the dust
On Octobers day, towards evening
Sweat embossed veins standing proud to the plough
Salt on a deep chest, seasoning

Last of the line at an honest days toil
Turning the deep sod under
Flint at the fetlock, chasing the bone
Flies at the nostrils plunder

The Suffolk, the Clydesdale, the Percheron vie
With the shire on his feathers, floating
Hauling soft timber into the dusk
To bed on a warm straw coating

Heavy horses move the land under me
Behind the plough gliding, slipping and sliding free
And now youre down to the few and theres no work to do
The tractors on its way

Let me find you a filly for your proud stallion seeds
To keep the old line going
And well stand you abreast at the back of the woods
Behind the young trees growing

To hide you from eyes that mock at your girth
Youre eighteen hands at the shoulder
And one day when the oil barons have all dripped dry
And the nights are seen to draw colder

Theyll beg for your strength, your gentle power
Your noble grace and your bearing
And youll strain once again to the sound of the gulls
In the wake of the deep plough, sharing

Heavy horses move the land under me
Behind the plough gliding, slipping and sliding free
And now youre down to the few and theres no work to do
The tractors on its way

Standing like tanks on the brow of the hill
Up into the cold wind facing
In stiff battle harness, chained to the world
Against the low sun racing

Bring me a wheel of oaken woods
A rein of polished leather
A heavy horse and a tumbling sky
Brewing heavy weather

Bring a song for the evening
Clean brass to flash the dawn
Across these acres glistening
Like dew on a carpet lawn

In these dark towns, folk lie sleeping
As the heavy horses thunder by
So wake the dying city
With the living horsemans cry

At once the old hands quicken
Bring pick and wisp and curry comb
Thrill to the sound of all the
Heavy horses coming home

Iron-clad, feather-feet pounding the dust
On Octobers day, towards evening
Sweat embossed veins standing proud to the plough
Salt on a deep chest, seasoning

Bring me a wheel of oaken woods
A rein of polished leather
A heavy horse and the tumbling sky
Brewing heavy weather

Heavy horses move the land under me
Behind the plough gliding, slipping and sliding free
And now youre down to the few and theres no work to do
The tractors on its way

Oh, heavy horses move the land under me
Behind the plough gliding, slipping and sliding free
And now youre down to the few and theres no work to do
The tractors on its way

Oh, heavy horses move the land under me
Behind the plough gliding, slipping and sliding free
And now youre down to the few and theres no work to do
The tractors on its way

Now heavy horses move the land under me
Behind the plough gliding, slipping and sliding free

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Take a walk down Love Street!

Love Street – World Party (1990) HQ Audio HD Video

“Love Street” was released in the spring of 1990 on World Party’s second album, Goodbye Jumbo. Originally released in 1990 on Ensign/Chrysalis, the album was essentially a solo project by Karl Wallinger, aided by a number of guest artists, including Sinéad O’Connor and former members of The Waterboys.

The album was voted Album of the Year by Q magazine in 1990. In 2000, Q placed it at number 94 in its list of the 100 Greatest British Albums Ever. It received a nomination for a Grammy Award for Best Alternative Music Album. It was reissued and remastered in 2006 on Seaview Records.

The single “Way Down Now” spent five weeks at number 1 on the Billboard Modern Rock chart. The follow-up “Put the Message in the Box” reached number 8.

The album’s classic rock sound – guitar, bass and drums – was augmented by piano, strings, flute and electronic percussion. The songs followed the loose concept of an everyman’s journey from lonely despair to spiritual fulfillment.

Once again as I was digging back into some of my oldest projects I came across so many of my favorite songs that I’d started but never finished…..man, there is just an incredible amount of seriously great things that are crying to be heard by some new fans!….anyway, among the things I found that I’d been seriously remiss in not getting around to a single track from one of my top 50 albums…..this album is an absolute perfect slice of pure pop genius, the Beatles influence is so strong and the result is an undeniable masterpiece from start to finish. Nearly every song from the album was a contender for my first video by this band…”Love Street” is knockout gorgeous and just too lovely to wait. I hope you enjoy this trip down “Love Street”! Thanks for watching!

As usual HUGE THANKS to everyone who’s art made this new art possible…THANK YOU!!!!

[Lyrics]
Have you ever been to Love Street?
Have you ever tried on all the shoes?
They’re for walking on the clouds with
And not for down here in the blues

Y’know dreams come true on Love Street too
Smile, you’re in this place
I was walking with the lonely
Before you came into my heart

Showed me round your Love Street
Took me naked from the dark
Well you’re touching my soul
Don’t let me go

You’re calling out to me
I’m turning to gold
Beginning to flow
Somebody set me free

Until now my mind was blank
And there was nothing there and the
The white lady
(The white lady, the white lady)
She won’t come my way
(Won’t come my way)

You say,”Close your eyes”
(Close your eyes, close your eyes, close your eyes)
And walk down that street in your mind
Oh it’s some place so fine
(Some place so fine)

Y’know really drives me out of my mind
How could it be?
That I’m walking down Love Street, baby
Walking down Love Street

Screen Captures:

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Oh Lord where did the feeling go….Big Country’s “Chance” from 1983

Chance – Big Country (1983) HQ Remastered Audio HD Video 

“Chance” was released in the summer of 1983 on Big Country’s debut studio album, The Crossing.

Big Country remains one of my very favorite bands…from that first incredibly powerful, haunting album which sounded like nothing you’d ever heard before, up through the final ones they produced with the insanely underrated vocalist and writer Stuart Adamson. While most of my friends were playing the latest U2 monster album, I was usually listening to the increasingly unrecognized efforts from Big Country. I have one friend in particular who I still run into now and again and he often as not says something to the effect of “man, you used to you to U2 alot!”…and I’m always like; “It was BIG COUNTRY, fool…how many times I gotta tell ya!?” (Though in all fairness he might be thinking of a several month period where the War cassette never left the deck…..and i know I probably reversed “New Year’s Day” http://youtu.be/p7n9itKuJh4 enough to sufficiently annoy the hell out of everyone!) LOL! Man….remember how back in the day we would all be fast forwarding or reversing our favorite tunes on 8-track or cassette….that high pitched screeching noise! ;-) I’m fond of some U2 tracks of course, but for me at least, Big Country was just way more impressive. Big Country has so many absolute gems scattered throughout their catalog (a way high ration of great to good songs on each album) which have been criminally overlooked, fortunately “Chance” isn’t one of them, as it did receive some recognition for the group….an absolutely perfect song.

I wanted to take the existing video for this track and try to highlight the constantly blending/crossing movement of the band…to make it “pop” a bit more. More Big Country favs on the way….till then hope you enjoy “Chance”! Thanks so much for watching!

The Crossing is the first studio album released by Scottish band Big Country. The album reached #3 in the UK; overseas, it hit #4 in Canada on the RPM national Top Albums Chart and #18 in the US on the Billboard 200 in 1983. It went on to be certified platinum in the UK and Canada. It contains the song “In a Big Country” which is their only U.S. Top 40 hit single. The song featured heavily engineered guitar playing, strongly reminiscent of bagpipes; Adamson and fellow guitarist Watson achieved this through the use of the MXR Pitch Transposer 129 Guitar Effect. Also contributing to the band’s unique sound was their use of the e-bow, a device which allows a guitar to sound more like strings or synthesizer.

The album has been remastered and reissued on three occasions. The latest version released by Universal in 2012 in advance of the album’s 30th anniversary includes a second disc of previously unissued demos. Also included in the set is a track produced by Chris Thomas from the first abortive attempt to record the band’s debut album. The demos include the earliest recordings done by Adamson and Bruce Watson, some of which were recorded on four-track prior to recruiting either a drummer or bassist for the band.

The set also includes a booklet with interviews (new in the case of the current band members and archived in the case of the late Stuart Adamson) by the journalist and author Tim Barr. Lyrics for all of the key songs are also included, and the album has been remastered by Paschal Byrne from the original master tapes. In total, ten previously unreleased tracks were included in the deluxe, digitally remastered edition.

[Lyrics]
All the rain came down
On a cold new town
As it carried you away
From your father’s hand
That always seemed like a fist
Reaching out to make you pay

He came like a hero from the factory floor
With the sun and moon as gifts
But the only son you ever saw
Were the two he left you with

Oh Lord where did the feeling go
Oh Lord I never felt so low

Now the skirts hang so heavy around your head
That you never knew you were young
Because you played chance with a lifetime’s romance
And the price was far too long

Oh Lord where did the feeling go
Oh Lord I never felt so low

Oh Lord where did the feeling go
Oh Lord I never felt so low

Oh Lord where did the feeling go
Oh Lord I never felt so low

Oh Lord where did the feeling go
Oh Lord I never felt so low

Oh Lord where did the feeling go
Oh Lord I never felt so low

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“You were kissed by a witch, one night in the wood”…..as we take the first steps into the long dark of winter. “Witch’s Promise” from 1970

Witch’s Promise – Jethro Tull (1970) HQ Audio / HD Video

“Witch’s Promise” was released as a single in 1970 with “Teacher” as the b-side. I remember the track from the Living In The Past double album, which is LP on which it was released in 1972. This was one of the first Tull albums I can remember listening to and it was tracks like “Witch’s Promise” which(! ;-) made me a huge fan of the group.

I’ve been experimenting with toon effects recently and trying out different combination of effects on a few different videos….I really liked how this one looked as I was able to achieve a more “watercolor” effect than most…..I think it’s a much more interesting video than the original (which looks pretty nasty in comparison…too much hair, bad lighting, color bleed, low-res video….all of which seemed to make this video work…..but again, I may be a bit biased).

So….as we leave autumn and take our first steps into the long winter, here’s a final adieu to the witching season of 2014…from 44 years ago….”Witch’s Promise”. I hope you enjoy the video!

As usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!!!! and also as usual….THANK YOU! for watching!

[Lyrics]
Lend me your ear while I call you a fool
You were kissed by a witch, one night in the wood
And later insisted your feelings were true
The witch’s promise was coming
Believing he listened while laughing you flew

Leaves falling red, yellow, brown, all look the same
And the love you have found, lay outside in the rain
Washed clean by the water but nursing his pain
The witch’s promise was coming
And you look and there’s where for your own selfish gain

Keep looking, keep looking for somewhere to be
Well, you’re wasting your time, they’re not stupid like he is
Meanwhile leaves are still falling, you’re too blind to see

You won’t find it easy now, it’s only fair
He was willing to cater to you, but you didn’t care
You’re waiting for more but you’ve already had your share
The witch’s promise is turning
So don’t you wait up for him, he’s going to be late

 

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Creatures of the candle on a night-light-ride.

Moths – Jethro Tull (1978) HQ Audio Remaster

“Moths” was released in the spring of 1978 on Jethro Tull’s eleventh studio album, Heavy Horses. It is considered the second album in a trilogy of folk-rock albums by Jethro Tull, although folk music’s influence is evident on a great number of Jethro Tull releases.

The album abandons much of the folk lyrical content typical of the previous studio album, Songs from the Wood (1977), in exchange for a more realist perspective on the changing world. Likewise, the band sound is harder and tighter. The album reached No. 19 on the Billboard 200 album chart, and peaked at No. 20 on the UK Albums Chart. The third album in the folk-rock trilogy is Stormwatch (1979).

This album was the last studio album to feature John Glascock playing bass on all tracks.

As much as I love earlier period Tull, probably my favorite albums were released in the time between Minstrel in ’75 through Broadsword in ’82. I saw Jethro Tull live touring in support of this album (extremely powerful live performance as I discussed in my description for “Acres Wild”…this is my second video for a track from Heavy Horses….still working on masks, horses and the “tumblin'” sky for that epic title track!)

This has always been one of my favorite Jethro Tull songs (and there are a few! LOL!)….today it also reminds me of my son because after enduring many hours of Tull in the CD player when we were travelling, this is the song he liked the most…..even remember him asking me to play it a few times!!!!!! ;-)

I always loved this video and wanted to pump it up a bit and try and make it look better for HD…..fiddled around with parameters to lose the nasty artifacting, without completely losing the video to blur…considering the source vid I utilized (from which my zoom causes even further loss of resolution) I think the results are pretty nice….hope you agree.

As usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!!!

[Lyrics]
Oh The leaded window opened
to move the dancing candle flame
And the first Moths of summer
suicidal came.
And a new breeze chattered
in its May-bud tenderness —
Sending water-lillies sailing
as she turned to get undressed.
And the long night awakened
and we soared on powdered wings —
Circling our tomorrows
in the wary month of Spring.
Chasing shadows slipping
in a magic lantern slide —
Creatures of the candle
on a night-light-ride.
Dipping and weaving — flutter
through the golden needle’s eye
in our haystack madness. Butterfly-stroking
on a Spring-tide high.
Life’s too long (as the Lemming said)
as the candle burned and the Moths were wed.
And we’ll all burn together as the wick grows higher —
before the candle’s dead.
The leaded window opened
to move the dancing candle flame.
And the first moths of summer
suicidal came
to join in the worship
of the light that never dies
in a moment’s reflection
of two moths spinning in her eyes.

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Baby until the last goodbye Take it or leave it

Take It Or Leave It – UFO (1980) HQ Audio Remaster

“Take It Or Leave It” was released in January 1980 on UFO’s eighth studio album, No Place to Run is the eighth album by the band UFO. This was the first album to feature Paul Chapman who replaced Michael Schenker on lead guitar.

The album was produced by George Martin, best known for his work with The Beatles. The record cover was issued in several different versions in the UK, although the only difference was the colour of the album title. Two singles were released from the album: “Young Blood” and “Letting’ Go”.

I listen to UFO constantly, they remain a favorite after all these years…the quality of their releases has remained strong and they never fail to impress me with each album they release. I have started numerous videos for UFO tracks, but they mostly fall in the category of “I cannot decide which video to use which effects” category…many ballads which could support nearly the same video, and the effects I try out look great with the various album covers, each completely unique and interesting to look at…..so I can never decide and just move on to something else. It was time to just do one…..thought about “Take It Or Leave It” my favorite track from No Place To Run.

I didn’t even really try to hard to get the lipsync looking accurate, just cleaned up a very small clip of UFO live at the BBC performing “Lonely Heart” and tried to make it work out.

As usual HUGE THANKS to everyone who’s art made this new work possible….THANK YOU!!! And…..a big THANK YOU for checking the video out….hope you like it.

[Lyrics]
I’m on my way home
To see my little angel
Trying to put the pieces back together
Well it’s been so long
I’m feeling like a stranger
But they tell me a good thing lasts forever

[1] Who’s to say we can’t talk it over
’cause in time I know
That we’ll work it out
Give it one more chance
Before it’s too late
Baby until the last goodbye

Take it or leave it or leave me alone
Baby one (more) little sad reply
Take it or leave it or leave me alone
As time passed

By a thousand miles of ocean
I put you out of sight
And out of mind girl
And before too long promises were broken
Seemed no matter how we tried

[Repeat 1]

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This is love This is la la la la love….I miss George Harrison!

This Is Love – George Harrison (1987) Remastered HQ Audio

“This Is Love” was released on George Harrison’s eleventh solo album, Cloud Nine, in the winter of 1979. This album was widely hailed as one of the greatest of George’s career.

***From Wiki:
Frustrated with the changing musical climate, George Harrison suspended his recording career in the early 1980’s. Instead of recording, he opted to pursue other interests, including film production with his own company, Handmade Films. It was a musically silent period for Harrison.

By late 1986, after a substantial break, Harrison felt the desire to make music again. He asked former Electric Light Orchestra leader and fellow musician Jeff Lynne to co-produce a new album with him. Harrison entered his home studio Friar Park in Henley-on-Thames on 5 January 1987 to begin recording his first new commercial album in five years.

Besides Harrison and Lynne, other artists involved in the recording sessions included Jim Keltner and Ringo Starr on drums, Eric Clapton on guitar and both Gary Wright and Elton John on piano (Elton John was recovering from his vocal surgery at the time). With new-found enthusiasm, Harrison actively promoted the album, even appearing with Starr at the Prince’s Trust Concert that June to perform “While My Guitar Gently Weeps”.

The album has consistently been praised by rock critics. Writing in Rolling Stone magazine, David Wild described it as “an expertly crafted, endlessly infectious record that constitutes Harrison’s best album since 1970’s inspired All Things Must Pass”. Wild also acknowledged Lynne’s input as co-producer and praised “When We Was Fab”, “Cloud Nine”, “That’s What It Takes” and “Wreck of the Hesperus” as “sublime pop”. In The New York Times, Stephen Holden noted the release as “crucial” to Harrison’s career, adding: “A pleasingly tuneful album, its sound is deliberately quaint, as it explicitly evokes the Beatles’ more romantic psychedelic music of the late 1960’s.” Less impressed, Daniel Brogan of the Chicago Tribune opined: “Cloud Nine plods hopelessly. Most of the blame must fall on Harrison, though producer Jeff Lynne’s influence is far too prevalent … The album is occasionally redeemed by the deft guitar interplay between Harrison and Eric Clapton, as well as the perky single ‘Got My Mind Set on You.'”

Reviewing for AllMusic, Stephen Thomas Erlewine writes that “Harrison crafted a remarkably consistent and polished comeback effort with Cloud Nine” and considers it is “one of his very best albums”. Among other recent reviews, Uncut magazine describes Cloud Nine as “endowed with undeniable charm” and Rolling Stone considers it to be a “late-career masterwork” from Harrison.
***END WIKI

I had been following George’s career and buying all his solo records…(they’re all great…still pisses me off that Rolling Stone gave him so much grief, giving most of his records after All Things Must Pass very poor reviews….in those days when Rolling Stone held such sway, I can imagine the frustration he felt….too bad these critics couldn’t just hear the deep beauty of his music and maybe he would have released a few more records!)…and it was so wonderful to finally have a new George Harrison after waiting 5 long years since his last release (Gone Troppo in 1982) and this album was well worth the wait! I can recall many years earlier wondering how cool it would be for George to do an album with ELO….it was great to see that happen later when George and Jeff worked together for many years…..a match made in heaven! ;-)

I always loved the video George produced for “This Is Love” and wanted to try and pump it up with more color and a few additional effects, and lose some of the low-res noise for HD…lotza layers to achieve the effects….I hope you enjoy the result. (Check out the original version if you’ve never seen it before….I had to obscure/blur things quite a bit to make it look good in HD, and some of the clarity of the original is lost).

[Lyrics]
Vicious words drift away from their meanings
And the sun melts the chill from our lives
Helping us all to remember what we came here for
This is love
This is la la la la love
This is love
This is la la la la love

Little things that will change you forever
May appear from out of the blue
Making fools of everybody who don’t understand
This is love
This is la la la la love
This is love
This is la la la la love

This is love, this is love
This is love, this is la la la la love

Since our problems have been our own creation
They also can be overcome
When we use the power provided free to everyone
This is love
This is la la la la love
This is love
This is la la la la love

This is love
This is la la la la love
This is love
This is la la la la love

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It sure felt good for a while

For Awhile – Tony Banks (1979) HQ Audio Remaster HD Video

“For Awhile” was released in the fall of 1979 on Tony Banks’ debut solo album, A Curious Feeling. I was big into Genesis during the mid-late 70’s and picked up this record immediately upon it’s release as I always thought Tony Banks was played some of the most beautiful keyboard I’d ever heard. I was not disappointed and found the album very enjoyable….”For Awhile” is a really beautiful tune….I love it still….hope the vid finds it a few new fans….and that those familiar with it find it a new enjoyable presentation.

As usual HUGE THANKS to everyone who’s art made this new art possible….THANK YOU!!! and THANK YOU for watching and supporting the vids. Please give it a comment and like if would….it’s such a drag to make videos to compete with “videos” that are really just an album cover set to music! ;-)

[Lyrics]
I feel it leading me
Away to I don’t know where
I might be back someday
But the people and things will change
And no one will remember me then

Don’t need no sympathy
For soon I’ll forget everything
I feel it fading now
And I see in the eyes of my love
Tears for how it might have been

It sure felt good for a while
Yes, it was good for a while
I found somebody to take my hand
To the promised land of the loved

Now as the night draws in
A dark with no promise of dawn
I feel my eyes grow dim
As I see in the eyes of my love
Tears for how it might have been

It sure felt good for a while
Yes, it was good for a while
I found somebody to take my hand
To the promised land of the loved

Yes, it was good for a while
It sure felt good for a while
I found somebody to take my hand
To the promised land of the loved

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